Ralph Taylor's ' "Subtlety" was released on its scheduled release date, October 18, 2016. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "TEAfilms Live Sessions Presents: The Blue Setlist". In this album, this song's track order is #5. In terms of popularity, Subtlety is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Subtlety by Ralph Taylor having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whats Next | LUKAS OSCAR | F♯ Minor | 8 | 11A | 158 BPM | ||
| This Was Always Gonna End | Vlad Holiday | B Minor | 7 | 10A | 142 BPM | ||
| Runs Deep | Mike Äpt | B Minor | 5 | 10A | 99 BPM | ||
| Lonely Moon | Samtar | A♭ Minor | 6 | 1A | 100 BPM | ||
| Some Things You Can't Deny | Ralph Taylor | G Major | 3 | 9B | 94 BPM | ||
| FOOL FOR YOU | Myles Simeon | F Minor | 5 | 4A | 110 BPM | ||
| Do What I Please | Ralph Taylor | A Major | 4 | 11B | 100 BPM | ||
| Animal | VEAUX | F♯ Minor | 7 | 11A | 116 BPM | ||
| driver of my weakness | sheltr. | A♭ Minor | 5 | 1A | 110 BPM | ||
| Devil Disguised | Torii Wolf | E Major | 3 | 12B | 95 BPM | ||
| NOTHING ON THE LINE | George Barnett | E Minor | 8 | 9A | 95 BPM | ||
| Familiar Faces | Reuben Medlin | B♭ Minor | 4 | 3A | 130 BPM | ||
| Damned | Blue in Tokio | A♭ Minor | 5 | 1A | 150 BPM | ||
| Silver Spoon | Modern Alibi | B Minor | 8 | 10A | 119 BPM | ||
| how did they know | Kilu | D Major | 7 | 10B | 90 BPM | ||
| Forever Half | Jovanni Cardenas | G Major | 4 | 9B | 78 BPM | ||
| Painted Skies | Glass Bridges | B♭ Major | 6 | 6B | 126 BPM | ||
| I’m Coming Home | Klaverson | B Minor | 4 | 10A | 111 BPM | ||
| Ancient Being | Superior Motive | E Major | 6 | 12B | 108 BPM | ||
| Leave Tonight | Niah Steiner, AcjnN | D♭ Minor | 6 | 12A | 103 BPM | ||
| You and Me | Disappeared Completely | B Minor | 4 | 10A | 123 BPM | ||
| Yesterday | breathe. | B♭ Minor | 4 | 3A | 80 BPM | ||
| How I Wish I Was Cool | Bayboards | A Major | 6 | 11B | 143 BPM | ||
| It's Got to Be | IXIK | B♭ Minor | 5 | 3A | 122 BPM | ||
| Lies | Alexia Chambi, Ralph Taylor | E Major | 4 | 12B | 85 BPM |