"Nightfall Dangers" by Blake Neely had its release date on July 10, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Blake Neely's "Greyhound (Apple TV+ Original Motion Picture Soundtrack)" album is number 7 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Nightfall Dangers's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nightfall Dangers by Blake Neely to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wrath of Man | Chris Benstead | D♭ Major | 3 | 3B | 137 BPM | ||
| A Father's Lessons | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| Gallery | Hildur Guðnadóttir | B Minor | 3 | 10A | 110 BPM | ||
| I’ll Always Be Looking For You | Blake Neely | E♭ Major | 0 | 5B | 109 BPM | ||
| To The Roof | John Powell, Pete Anthony, The Hollywood Studio Symphony | G Major | 6 | 9B | 103 BPM | ||
| Ending Titles | Heiko Maile | B♭ Major | 3 | 6B | 129 BPM | ||
| Let's Go Home | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM | ||
| Future Dawn of Titan | Anže Rozman, Andrew Christie | D Major | 2 | 10B | 117 BPM | ||
| Silentgrid | Velora | F♯ Minor | 4 | 11A | 105 BPM | ||
| Ski Lift | Atli Örvarsson, Kjartan Holm, Sin Fang | G Major | 6 | 9B | 90 BPM | ||
| Ballroom | Ola Strandh | D Major | 8 | 10B | 144 BPM | ||
| Fear Can Ravage You | John Dragonetti | C Major | 8 | 8B | 82 BPM | ||
| The Panama Pump | Mark Isham | B Major | 0 | 1B | 80 BPM | ||
| The RIP | Clinton Shorter | G Major | 6 | 9B | 90 BPM | ||
| Initiate The Tow | Henry Jackman | D Major | 4 | 10B | 100 BPM | ||
| To Ilus | Clinton Shorter | A Major | 2 | 11B | 77 BPM | ||
| Okay Buddy | Clinton Shorter | G Major | 6 | 9B | 90 BPM | ||
| Rotterdam In Ruins | Johan Söderqvist, Patrik Andrén | A♭ Major | 2 | 4B | 71 BPM | ||
| Main Title | Joe Kraemer | D♭ Major | 1 | 3B | 83 BPM | ||
| Line of Duty Finale | Carly Paradis | C Major | 3 | 8B | 113 BPM | ||
| Every Second is a Little Death | Blake Neely | A Minor | 0 | 8A | 66 BPM | ||
| Asif | Henry Jackman, Alex Belcher | A♭ Major | 0 | 4B | 97 BPM | ||
| Bad Dreams | Mary Riddle | D Major | 3 | 10B | 125 BPM | ||
| Precinct Siege | Ola Strandh | B Minor | 8 | 10A | 180 BPM | ||
| Making Sense of War | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM |