Garage Fuzz's ' "Bus Ride Notes" was released on its scheduled release date, 2005. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Morning Walk". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Bus Ride Notes's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Bus Ride Notes by Garage Fuzz having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Termorregulador | Zander | D♭ Minor | 10 | 12A | 142 BPM | ||
| Trinta e Nove Milhões | All The Postcards | B Minor | 10 | 10A | 100 BPM | ||
| All In a Days Work | Atlas Losing Grip | B Minor | 10 | 10A | 141 BPM | ||
| Um Segundo | Noção de Nada | A Major | 9 | 11B | 153 BPM | ||
| The Usurper | Satanic Surfers | D Major | 10 | 10B | 182 BPM | ||
| Bárbaro | Colligere | F♯ Major | 10 | 2B | 200 BPM | ||
| Memories And Numbers | Better Leave Town | A Minor | 8 | 8A | 145 BPM | ||
| Amosp | Chuva Negra | B♭ Minor | 10 | 3A | 126 BPM | ||
| About Distance | Garage Fuzz | A Major | 10 | 11B | 97 BPM | ||
| Ghosts | Dag Nasty | A Major | 8 | 11B | 162 BPM | ||
| Turn Off the Lights | Rivets | G Major | 10 | 9B | 158 BPM | ||
| Fire and Gasoline | Nitrominds | E Minor | 10 | 9A | 117 BPM | ||
| C'est La Vie | Chuva Negra | A♭ Major | 9 | 4B | 185 BPM | ||
| A Última Mentira | Aditive | E♭ Major | 10 | 5B | 179 BPM | ||
| Nos Olhos de Guernica (Um Curto Verão em La Mancha) | Dance of Days | B♭ Minor | 10 | 3A | 122 BPM | ||
| Liberta | RANCORE | D♭ Minor | 8 | 12A | 97 BPM | ||
| Sober | Bayside Kings | B♭ Minor | 10 | 3A | 111 BPM | ||
| We Are the One | Street Bulldogs | E Minor | 9 | 9A | 175 BPM | ||
| Too Much, Too Late | Farside | D Major | 10 | 10B | 96 BPM | ||
| Bastian Contra o Nada | Zander | F♯ Major | 10 | 2B | 172 BPM | ||
| Can You Meet Me Again? | Better Leave Town | D♭ Minor | 9 | 12A | 162 BPM | ||
| Method | Pegboy | C Major | 9 | 8B | 127 BPM | ||
| Virou Coxinha | Merda | F Major | 10 | 7B | 183 BPM | ||
| Stain | Belvedere | G Minor | 10 | 6A | 105 BPM | ||
| Break My Back | No Fun At All | D♭ Major | 10 | 3B | 93 BPM |