"人斬り抜刀斎~殺人剣~" by Naoki Sato had its release date on August 1, 2012. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 「るろうに剣心」オリジナル・サウンドトラック, so we believe that "人斬り抜刀斎~殺人剣~" is a single. 人斬り抜刀斎~殺人剣~ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 人斬り抜刀斎~殺人剣~ by Naoki Sato is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Two-Horned Unicorn | Kris Bowers | C Major | 9 | 8B | 111 BPM | ||
| Hes Baaaaack! (Mike Flynts Theme) | Larry Groupé, Angel | D Major | 3 | 10B | 129 BPM | ||
| Extrication | 斎木達彦 | F Major | 6 | 7B | 82 BPM | ||
| 海へ | Naoki Sato | A♭ Major | 5 | 4B | 110 BPM | ||
| [THE SORCERY OF NYMPH CIRCE] SUITE-No.5: NDA | Sawano Hiroyuki | C Major | 9 | 8B | 111 BPM | ||
| 麒麟がくる メインテーマ | John R Graham, 広上淳一, NHK Symphony Orchestra, 林 英哲 | A Minor | 6 | 8A | 140 BPM | ||
| Cold Embrace | Orithia | B♭ Minor | 3 | 3A | 125 BPM | ||
| Kami No Itte | Anime de Japan | A♭ Major | 7 | 4B | 120 BPM | ||
| 未来へ歩き続けて | Harumi Fuuki | F♯ Major | 5 | 2B | 184 BPM | ||
| ON YOUR MARK | Hiroyuki Sawano | A Minor | 5 | 8A | 140 BPM | ||
| From the Frontlines | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Unicorn | Hiroyuki Sawano | A Minor | 8 | 8A | 105 BPM | ||
| Omni_00 | Shiro SAGISU, Akira Ifukube | B Minor | 3 | 10A | 135 BPM | ||
| 戦い 拮抗(UO_M-9) | Narasaki | A♭ Major | 2 | 4B | 180 BPM | ||
| Tech Project Upgrade | Junkie XL, Antonio Di Iorio | E Minor | 1 | 9A | 64 BPM | ||
| 新・ドキュメント 太平洋戦争 - Main Theme Ver. A | Akira Senju | G Minor | 3 | 6A | 136 BPM | ||
| 絶望 ~故郷のために~ | 浜口史郎 | C Major | 10 | 8B | 120 BPM | ||
| The Ones That Stay | Wilbert Roget, II | B♭ Minor | 1 | 3A | 83 BPM | ||
| Heroic Rescue | 斎木達彦 | G Major | 6 | 9B | 104 BPM | ||
| GODZILLA's Theme - Singularpoint | 沢田完 | C Major | 5 | 8B | 117 BPM | ||
| 鬼 | Gary Ashiya | B♭ Minor | 7 | 3A | 160 BPM | ||
| Chaos | Takashi Ohmama | F Major | 0 | 7B | 76 BPM | ||
| Code Blue ~avant title~ | Naoki Sato | F Major | 6 | 7B | 125 BPM | ||
| VIVANT | Akira Senju | B Minor | 7 | 10A | 160 BPM | ||
| GODZILLA | Takayuki Hattori | E♭ Major | 7 | 5B | 81 BPM |