Gérard Pesson, Ensemble Cairn, Guillaume Bourgogne's 'Six transformations du menuet K. 355 de Mozart: Tyrolienne' had a release date set for January 26, 2018. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Six transformations du menuet K. 355 de Mozart: Tyrolienne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Pesson: Blanc mérité". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. In terms of popularity, Six transformations du menuet K. 355 de Mozart: Tyrolienne is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Six transformations du menuet K. 355 de Mozart: Tyrolienne by Gérard Pesson, Ensemble Cairn, Guillaume Bourgogne having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Inner Harmony | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| War Requiem, Op. 66: iv. Requiem Aeternam - Kyrie eleison | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | F♯ Major | 0 | 2B | 144 BPM | ||
| Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) | György Kurtág | D Minor | 0 | 7A | 141 BPM | ||
| Three Bach Transcriptions: Chorale "Agnus Dei" from Mass in B Minor | Johann Sebastian Bach, Simone Dinnerstein | C Major | 0 | 8B | 138 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Ciudadano Sombra: II. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| September III | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| 7 Haikus: II. Assai mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| La lumière n'a pas de bras pour nous porter | Gérard Pesson, Alfonso Alberti | C Major | 0 | 8B | 85 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 70 BPM | ||
| La lumière n'a pas de bras pour nous porter (instrumentation de Frédéric Pattar) | Gérard Pesson, Instant Donné, Rémy Jannin | D Minor | 2 | 7A | 189 BPM | ||
| Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | B Major | 1 | 1B | 103 BPM | ||
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | B Major | 1 | 1B | 103 BPM | ||
| Leaps of Faith | Vanessa Lann, Marcel Worms | C Major | 2 | 8B | 109 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 4, Alla Tango milonga | Erwin Schulhoff, Leonkoro Quartet | G Major | 1 | 9B | 189 BPM | ||
| Les chauves-souris choréographique | Niklas Sivelov | A Minor | 3 | 8A | 171 BPM | ||
| Debate entre la Sombra y la Hoguera | Adán Ramírez | B Major | 0 | 1B | 73 BPM | ||
| Stoned | The Chitinous Ensemble | G Major | 5 | 9B | 104 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM |