"Secretos" by Ulises Conti had its release date on 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Posters privados". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Argentina. Secretos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Secretos by Ulises Conti having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donde Fluye el Agua | Juan Son | D♭ Major | 2 | 3B | 110 BPM | ||
| Acustic | 315 y El Tpop | A Major | 5 | 11B | 75 BPM | ||
| The Crossing | Colleen | A Minor | 3 | 8A | 174 BPM | ||
| I Set My Face to the Hillside | Tortoise | F Minor | 3 | 4A | 106 BPM | ||
| West Hollywood | Ulises Conti | B Major | 1 | 1B | 71 BPM | ||
| Surrender, Pt. 1 | Marina Alessio, Ulises Conti | A Major | 5 | 11B | 75 BPM | ||
| New York - Mad Rush | Philip Glass, Thibault Cauvin, Adélaïde Ferrière | F Major | 2 | 7B | 83 BPM | ||
| Suite Aquelarre | La Bruja de Texcoco | C Major | 3 | 8B | 120 BPM | ||
| Los que no duermen | Ulises Conti, Lola Arias | A Major | 3 | 11B | 75 BPM | ||
| La Fruta Que Derrite | Las Luces Primeras | G Major | 7 | 9B | 94 BPM | ||
| Separación | Nicolas Jaar | C Major | 0 | 8B | 85 BPM | ||
| Uranotypie | Ursula Bogner | E Minor | 0 | 9A | 139 BPM | ||
| Rack railway To | Roberto Musci | B♭ Major | 6 | 6B | 91 BPM | ||
| C | Ulises Conti | E Minor | 0 | 9A | 76 BPM | ||
| Salina Stars | Colleen | A♭ Major | 2 | 4B | 175 BPM | ||
| Hablaojos | Michelle Blades | D Minor | 2 | 7A | 66 BPM | ||
| Tu Casa | Lola Membrillo | A♭ Major | 0 | 4B | 116 BPM | ||
| Intimate Immensity | Tomaga | C Major | 9 | 8B | 159 BPM | ||
| The Cutter | Windsor For The Derby | G Major | 3 | 9B | 121 BPM | ||
| Cada Vez | Mi Amigo Invencible | G Minor | 2 | 6A | 65 BPM | ||
| Tears of Unicorn | Masayoshi Fujita | A♭ Minor | 1 | 1A | 78 BPM | ||
| Templos | Rosas | G Major | 7 | 9B | 78 BPM | ||
| Ya no puedo morir más | Ulises Conti, Lola Arias | G Major | 2 | 9B | 112 BPM | ||
| Leaves | Nicolas Jaar | G Minor | 0 | 6A | 82 BPM | ||
| La Osa en la Laguna | Lucy Patané | D Minor | 5 | 7A | 115 BPM |