- BPM
- 127
- Key
- C Minor
- Camelot
- 5A
15 Folksongs from Newfoundland (Arr. R. Vaughan Williams for Voice & Piano): No. 9, She's Like the Swallow by Traditional, Roderick Williams, William Vann Song Details
Traditional, Roderick Williams, William Vann's '15 Folksongs from Newfoundland (Arr. R. Vaughan Williams for Voice & Piano): No. 9, She's Like the Swallow' had a release date set for April 22, 2022. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 15 Folksongs from Newfoundland (Arr. R. Vaughan Williams for Voice & Piano): No. 9, She's Like the Swallow's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Ralph Vaughan Williams: Folk Songs, Vol. 4". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 15 Folksongs from Newfoundland (Arr. R. Vaughan Williams for Voice & Piano): No. 9, She's Like the Swallow's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With 15 Folksongs from Newfoundland (Arr. R. Vaughan Williams for Voice & Piano): No. 9, She's Like the Swallow by Traditional, Roderick Williams, William Vann having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -26.759 dB
- Acousticness
- 99%
- Danceability
- 34%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 55%
- Speechiness
- 7%
- Valence
- 24%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | |
 | Dostojno Jestj | Slavisch Byzantijns Koor Zwolle | B♭ Major | 1 | 6B | 117 BPM | |
 | Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | |
 | Missa Festiva (Kyrie) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | E Minor | 3 | 9A | 80 BPM | |
| Missa Festiva (Sanctus) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | D Major | 3 | 10B | 69 BPM | |
 | Tantum Ergo | Anonymous, Westminster Williamson Voices, James Jordan | E Minor | 0 | 9A | 115 BPM | |
 | Wege zu dir - Wege zu mir | Dick Le Mair | F Major | 3 | 7B | 122 BPM | |
 | O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | |
 | The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | |
 | Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | |
 | Sancta Maria, mater Dei, K. 273 | Wolfgang Amadeus Mozart, Maria Zedelius, Hilke Helling, Klaus Schneider, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 1 | 7B | 77 BPM | |
 | Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 1 | 7B | 71 BPM | |
 | Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | |
 | Janequin: Il était une fillette | Clément Janequin, Michel Corboz, Ensemble Vocal de Lausanne | D Major | 0 | 10B | 77 BPM | |
 | Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 83 BPM | |
 | Rorate caeli desuper | Schola Antiqua, Schola Gregoriana Hispana | F♯ Major | 1 | 2B | 137 BPM | |
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | |
 | Lok Sui Tien | Catholic Junior College Choir | E♭ Major | 3 | 5B | 73 BPM | |
 | Delibes: Lakmé, Act 1: Duo des fleurs (Instrumental Version) | Léo Delibes, Camille Berthollet, Romain Dumas, Orchestre National Bordeaux Aquitaine | A Major | 2 | 11B | 82 BPM | |
 | Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | |
 | Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | |
 | O Come, Divine Messiah | James Biery, St. Ignatius Loyola Children's Choir, Nancianne Parrella, Michael Sheetz, Mary Huff | A Major | 2 | 11B | 136 BPM | |
 | Celestial Reflections | Gregorian Chanting Monks, The Chanting Monk | E Minor | 1 | 9A | 79 BPM | |
 | Valse romantique, from Harp Portrait Classics | Tobias Southcott | E♭ Major | 2 | 5B | 96 BPM | |
 | A Nightingale Sang in Berkeley Square | Lyyra | D Major | 0 | 10B | 77 BPM |
- ISRC
- GBSMP2104513
- Label
- L-M Records/RCA Records