"Little Victory" by Shane Carruth had its release date on October 8, 2004. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Primer (Original Motion Picture Score)". In this album, this song's track order is #2. Little Victory is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Little Victory by Shane Carruth having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time Travel | Michael Andrews | B♭ Major | 1 | 6B | 59 BPM | ||
| Ghosts of Things to Come | Clint Mansell, Kronos Quartet | D Major | 0 | 10B | 84 BPM | ||
| The Quiet Base | Inner Ground | E Minor | 0 | 9A | 120 BPM | ||
| Elena's Sound-World | Sinoia Caves | G Major | 3 | 9B | 135 BPM | ||
| Reverse Engineering | Shane Carruth | E♭ Major | 0 | 5B | 82 BPM | ||
| Starwood Choker | Bing & Ruth | B Major | 2 | 1B | 74 BPM | ||
| Can I Sit Next to You | Cliff Martinez | G Minor | 1 | 6A | 81 BPM | ||
| Morgana | Movlan Turabov, Moklan | F♯ Minor | 1 | 11A | 150 BPM | ||
| Post Pie | Daniel Hart | F Major | 1 | 7B | 68 BPM | ||
| Intro | Mica Levi | G Major | 0 | 9B | 134 BPM | ||
| Bitterness | Hannes Kretzer | A♭ Major | 3 | 4B | 82 BPM | ||
| Man's Reach Exceeds His Imagination | The Prestige | C Major | 1 | 8B | 91 BPM | ||
| To Light Alone I Bow | S U R V I V E | B♭ Major | 2 | 6B | 120 BPM | ||
| frozen in time | nexist | E Minor | 0 | 9A | 120 BPM | ||
| Nucleus | Christopher Willits | A♭ Minor | 0 | 1A | 71 BPM | ||
| Don't Bother They're Here | Stars Of The Lid | D♭ Major | 0 | 3B | 76 BPM | ||
| Girth Rides A (Horse) + | The Dead Texan | E Major | 1 | 12B | 79 BPM | ||
| Mélodrames télégraphiés (In B Major 7th), Part 2 | Brian McBride | B Major | 1 | 1B | 73 BPM | ||
| Will It Hurt | Cliff Martinez | A♭ Major | 1 | 4B | 70 BPM | ||
| As if It Would Have a Universal and Memorable Ending | Shane Carruth | G Major | 3 | 9B | 123 BPM | ||
| The Struggle | The Dead Texan | D Major | 0 | 10B | 138 BPM | ||
| The Wise Alone | Atticus Ross, Leopold Ross, Claudia Sarne | G Major | 3 | 9B | 76 BPM | ||
| Linger | Disasterpeace | B Major | 1 | 1B | 120 BPM | ||
| Copies Of Copies | Shane Carruth | E♭ Major | 0 | 5B | 74 BPM | ||
| Evidence | Brendan Angelides, Eskmo | B♭ Major | 1 | 6B | 95 BPM |