Traditional, Paul Robeson, Lawrence Brown's ' "Mexican Lullaby - 2024 Remastered Version" was released on its scheduled release date, 1971. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Mexican Lullaby - 2024 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paul Robeson Live in New York 1958 - 2024 Remastered Version". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. Based on our statistics, Mexican Lullaby - 2024 Remastered Version's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Mexican Lullaby - 2024 Remastered Version by Traditional, Paul Robeson, Lawrence Brown having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
| Ave Maria | Schubert, Nil, Paul Hart & Elizabeth Le Grove | B♭ Major | 0 | 6B | 72 BPM | ||
| Annunciation Peal Of Bells | Traditional, The Benedictine Nuns of Notre-Dame de l'Annonciation, Le Barroux, Claude Pateau | D Minor | 2 | 7A | 95 BPM | ||
| Byzantine Liturgy: Dostoino est (It is worthy), For male choir | Traditional, Chamber Choir, Lege Artis | A Major | 1 | 11B | 130 BPM | ||
| Shen khar venakhi - Kartli-Kakhetia | Traditional, The Rustavi Choir | A♭ Major | 0 | 4B | 75 BPM | ||
| Fantasia on Greensleeves | Ralph Vaughan Williams, BBC Concert Orchestra, Barry Wordsworth | C Minor | 0 | 5A | 96 BPM | ||
| Ecce Agnus Dei | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | E♭ Major | 2 | 5B | 67 BPM | ||
| The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
| Gounod: Messe solennelle de Sainte Cécile: VI. Benedictus | Charles Gounod, Georges Prêtre, Barbara Hendricks, Choeur de Radio France, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
| Confitemini Domino, IAC 1 | Alessandro Constantini, Pro Musica, Szabó Dénes | A Minor | 1 | 8A | 133 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
| Ubi Caritas Et Amor | The Schola Cantorum of St. Peter's in the Loop | E♭ Major | 1 | 5B | 99 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Requiem (Arr. Johnson) | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
| Ar Hyd y nos | Traditional, Bryn Terfel, Orchestra of the Welsh National Opera, Gareth Jones, The Black Mountain Choir, The Risca Choir | F Major | 0 | 7B | 90 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Hyvyyden voiman ihmeelliseen suojaan | Erkki Melartin, SRK Instrumentaali | G Major | 1 | 9B | 67 BPM | ||
| Cradle Hymn | Kim André Arnesen, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 174 BPM | ||
| Pater Noster (Fernando Moruja) | Sexteto Cantábile | A♭ Minor | 1 | 1A | 138 BPM | ||
| Hymne an die Nacht | Ludwig van Beethoven, Meistersinger, Die, Klaus Breuninger | E Major | 1 | 12B | 134 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | ||
| Celestial Reflections | Gregorian Chanting Monks, The Chanting Monk | E Minor | 1 | 9A | 79 BPM |