"One Death Is Enough" by Chris Bacon had its release date on March 29, 2011. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. One Death Is Enough's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Source Code (Original Motion Picture Score)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, One Death Is Enough's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With One Death Is Enough by Chris Bacon having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pathological Predilection for Secrets - from "Wednesday: Season 2" | Chris Bacon, Wednesday Addams, Nevermore Academy Orchestra | A Minor | 1 | 8A | 89 BPM | ||
| The Final Act | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| Hades and Persephone's Theme | Paul Edward-Francis | E Minor | 1 | 9A | 89 BPM | ||
| Hero Dad-Uh Oh | Christopher Lennertz | C Major | 2 | 8B | 138 BPM | ||
| The Ballad of the Witches' Road (Score Version) | Christophe Beck, Michael Paraskevas | G Minor | 0 | 6A | 133 BPM | ||
| Nuclear Czar | Marcelo Zarvos | D Minor | 2 | 7A | 144 BPM | ||
| Four Seasons – Winter: I. Allegro Non Molto (Vivaldi) | Nevermore Academy Orchestra | F Minor | 4 | 4A | 85 BPM | ||
| End Credits Suite | Marcelo Zarvos | E Minor | 2 | 9A | 92 BPM | ||
| Disconnection | David Hanhell, Dave Hahnall | F Minor | 3 | 4A | 180 BPM | ||
| Leave Now | Theodore Shapiro, Caroline Shaw | C Minor | 0 | 5A | 128 BPM | ||
| A Burial | Sion Trefor | A Minor | 2 | 8A | 135 BPM | ||
| Two of Us | Tim Wynn | G Minor | 4 | 6A | 119 BPM | ||
| Clarisse and the Ironclad | Bear McCreary, Sparks & Shadows | C Minor | 4 | 5A | 118 BPM | ||
| A Good Place to Bed Down | Joseph Trapanese, Max Davidoff-Grey | G Major | 4 | 9B | 150 BPM | ||
| Ado's Last Journey | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | D Major | 0 | 10B | 77 BPM | ||
| When a Star Dies | Frederik Wiedmann | D Major | 3 | 10B | 75 BPM | ||
| Coach Dennis | Kris Bowers | A Minor | 2 | 8A | 135 BPM | ||
| Accusations | Sam Watts | D Major | 4 | 10B | 114 BPM | ||
| Dog Trouble | Lorne Balfe | A Major | 3 | 11B | 71 BPM | ||
| Mages Were His Prey | Frederik Wiedmann | F Minor | 2 | 4A | 84 BPM | ||
| Whatever You Need | Craig Wedren, Anna Waronker | G Minor | 5 | 6A | 150 BPM | ||
| First Bite | Adrian Johnston | A Minor | 2 | 8A | 135 BPM | ||
| All He Wanted Was Peace | Geoff Zanelli | D Minor | 1 | 7A | 70 BPM | ||
| Prince of Spooks | Frankelda's Book of Spooks, Kevin Smithers | A Minor | 6 | 8A | 110 BPM | ||
| Sir Spookington | Scorewizard | G Minor | 1 | 6A | 75 BPM |