Berta Rojas, Camerata Bariloche's 'Naranjo En Flor' had a release date set for May 14, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Berta Rojas, Camerata Bariloche's "Historia del Tango" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. Naranjo En Flor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Naranjo En Flor by Berta Rojas, Camerata Bariloche to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La jota aragonese | Maria Dolores de Goñi, Heike Matthiesen | G Major | 0 | 9B | 70 BPM | ||
| Milonga Sureña Nº 5 | Carlos Moscardini | A Minor | 2 | 8A | 128 BPM | ||
| The Day You Love Me | Victor Villadangos | D Major | 0 | 10B | 106 BPM | ||
| Milonga Surena | Guy Lukowski | E Minor | 2 | 9A | 96 BPM | ||
| Mi Pajarita (Cumbia) | Patricia Vlieg, Berta Rojas | A Minor | 2 | 8A | 84 BPM | ||
| Mother | Berta Rojas | A Major | 1 | 11B | 117 BPM | ||
| El Marabino (Valse Venezolano) - Rev. Alirio Diaz | Antonio Lauro, Göran Söllscher | A Major | 1 | 11B | 107 BPM | ||
| Tango en skai | Roland Dyens, Jason Vieaux | A Minor | 1 | 8A | 61 BPM | ||
| Prelude No. 1 "Tombeau" | Gilbert Biberian, Berta Rojas | A♭ Major | 3 | 4B | 94 BPM | ||
| 2 Thème Variées and 12 Menuets, Op. 11: No. 2, Menuet in G Minor | Joseph Sullinger | G Minor | 2 | 6A | 134 BPM | ||
| Adieu foulard, adieu Madras | Roland Dyens | A♭ Major | 0 | 4B | 86 BPM | ||
| Jurame (Arr. J.C. Oliva) | María Grever, Julio Cesár Oliva | E Minor | 2 | 9A | 90 BPM | ||
| Castillos de España II: No. 1, Turegano | Federico Moreno Torroba, Ana Vidović | E Major | 1 | 12B | 93 BPM | ||
| Birds Flew over the Spire | Pieter Nanne | D Major | 1 | 10B | 80 BPM | ||
| Chamamé | Carlos Martínez | A Major | 3 | 11B | 150 BPM | ||
| Suite espagnole, Op. 47: VII. Castilla | Isaac Albéniz, Thibault Cauvin | F♯ Major | 2 | 2B | 135 BPM | ||
| Thanks Galilei (11 Pm) | Renato Caruso | B Minor | 1 | 10A | 100 BPM | ||
| Fantasia On The Themes From La Traviata | Tatyana Ryzhkova | D Major | 2 | 10B | 129 BPM | ||
| Himlen | Kim Larsen, Jesper Sivebæk | D Minor | 1 | 7A | 84 BPM | ||
| En verde y amarillo - solo guitarra | Gustavo Ripa | A Minor | 2 | 8A | 79 BPM | ||
| Mas Que Nada | Antonio Tarantino | A Minor | 6 | 8A | 87 BPM | ||
| El Felipe | Pepe Ferrer, Victor Villadangos | A♭ Minor | 1 | 1A | 172 BPM | ||
| A Don Agustin Bardi: Don Agustin Bardi (Arr. Morel) | Horacio Salgan, Ricardo Cobo | A Minor | 1 | 8A | 128 BPM | ||
| Ponce: Estrellita | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Tríptico Sudamericano: III Los Llanos | Elodie Bouny, Berta Rojas, Jorge Glem | G Major | 4 | 9B | 145 BPM |