On November 9, 2008, the song "Tape Layo Re" was released by Kailash Rao. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 6 in Angrezi Chhori by Subhash Gandhi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Tape Layo Re's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tape Layo Re by Kailash Rao is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pankhida Lagwade Mahal Mein - Original | Laxman Singh Rawat, Durga Jasraj | A♭ Major | 10 | 4B | 127 BPM | ||
| Hokke Ne Bajao Sa | Prakash Gandhi, Pushpa Sankhla | A♭ Major | 9 | 4B | 80 BPM | ||
| अब तो राजी रंडी | Star Irfan Pahat, Wasim Akram Alwar | G Major | 10 | 9B | 146 BPM | ||
| Banna O Pyaro Lage Pivriyo | Bablu Ankiya, Happy Singh | D Major | 9 | 10B | 90 BPM | ||
| Ladno Hove To Dushmida Sami Sathi Aave | Babu Bhai Panwar | F♯ Minor | 10 | 11A | 135 BPM | ||
| Ram Naam Ke Bina | Ramkumar maluni | E♭ Major | 9 | 5B | 93 BPM | ||
| पगले पगले रामा बाग लगावु | Manish Parihar | F♯ Minor | 7 | 11A | 102 BPM | ||
| Chudla Pehru To | Aslam Khan | D Major | 9 | 10B | 110 BPM | ||
| Joganiya Mata Ke Dur Se Me Aaya | Raju Banka Kheda, Rinku Sharma | A♭ Major | 8 | 4B | 120 BPM | ||
| Nen Katari | Jalal Khan | A Major | 9 | 11B | 90 BPM | ||
| Tor Dil La Sambhal | Mongra Vishwakarma | F Minor | 8 | 4A | 145 BPM | ||
| Gotam Ji Mare | Manish Parihar, Mohan Vedana | D♭ Minor | 10 | 12A | 117 BPM | ||
| Balam Lungda Lade Kalo | Ramdhan Gurjar, Neetu Tomar | D♭ Minor | 10 | 12A | 160 BPM | ||
| Janu Mat Ho Naraj Bhungar Khan Aa Gaya | Bhungar Khan | B♭ Major | 10 | 6B | 100 BPM | ||
| Hat Mat Pakdo Parvata | Shyam Paliwal | C Major | 9 | 8B | 110 BPM | ||
| Bagaan Ki Koyal | Mukesh Fouji, Miss Garima | D♭ Minor | 8 | 12A | 114 BPM | ||
| Shyam Premiyo Ka Dil | Ramkumar maluni | F♯ Minor | 10 | 11A | 115 BPM | ||
| Majo Janido | Beejal Khan | A♭ Major | 9 | 4B | 91 BPM | ||
| Nadi Re Kinare Bansa Patang Udave | Babu Bhai Panwar | D♭ Major | 10 | 3B | 170 BPM | ||
| Chhup Gaya Chandrama | Geeta Goswami, AK Lunsara | G Minor | 8 | 6A | 170 BPM | ||
| Nate Tu Leja | Samdu Gurjar | E♭ Minor | 8 | 2A | 85 BPM | ||
| BABA RO DANKO SARE JAGAT MAIN BAJE | Ashok Chouhan | B♭ Major | 8 | 6B | 94 BPM | ||
| Satnami Ke Shan | Shashi Rangila | B♭ Minor | 9 | 3A | 123 BPM | ||
| Ghadi Ghadi Mahre Hath | Beejal Khan | A♭ Major | 9 | 4B | 91 BPM | ||
| Fagan Me Faratedar | Raju Swami | B Minor | 7 | 10A | 120 BPM |