"cURRY" by Supreme Clientele had its release date on May 17, 2021. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 7 in cURRY by Supreme Clientele. In terms of popularity, cURRY is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of cURRY by Supreme Clientele is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pink Pussycat (Kitten Deville's Theme) | The Del Reys | B Minor | 9 | 10A | 210 BPM | ||
| Once a Stripper, Always a Stripper | Nectar & Nymphs | G Minor | 3 | 6A | 87 BPM | ||
| This Should Go on Forever | Rod Bernard | D♭ Major | 3 | 3B | 73 BPM | ||
| Easy Touch | All Blues Brothers | F Minor | 4 | 4A | 169 BPM | ||
| The Plan - 203 Mix Version | Ac203, Dj Big Ron, Supreme Clientele | A♭ Major | 3 | 4B | 100 BPM | ||
| It's a Man's World | Gregor Hilden | C Minor | 2 | 5A | 127 BPM | ||
| Love Me - Midnight Show | Elvis Presley | F Major | 6 | 7B | 80 BPM | ||
| Passing | Supreme Clientele | A Major | 6 | 11B | 120 BPM | ||
| Why Do We Have To Say Goodbye? | Mighty Sam McClain | E Minor | 3 | 9A | 103 BPM | ||
| The Last Song for You | Clarence Blue | A♭ Major | 3 | 4B | 80 BPM | ||
| Love it | Supreme Clientele | F Minor | 7 | 4A | 146 BPM | ||
| What Can I Call My Own | James Carr | B♭ Major | 3 | 6B | 124 BPM | ||
| You Told Me You Love Me | Luther Johnson | E Major | 6 | 12B | 109 BPM | ||
| Sorry | Johnny Ruiz & The Escapers | F♯ Major | 3 | 2B | 181 BPM | ||
| Mud Between My Toes | The EvenTunes | A Major | 3 | 11B | 103 BPM | ||
| Back...shack...track | Big Jay McNeely | F♯ Major | 5 | 2B | 143 BPM | ||
| I Have No One | Big John Hamilton | B Major | 4 | 1B | 165 BPM | ||
| Forgetting You | James Carr | B♭ Major | 3 | 6B | 124 BPM | ||
| When the Ground Shakes | True Roots Blues | D♭ Major | 4 | 3B | 161 BPM | ||
| Deep Deep Water | Clarence "Gatemouth" Brown | C Major | 1 | 8B | 96 BPM | ||
| My Baby | Nappy Brown | D♭ Major | 2 | 3B | 110 BPM | ||
| So High | G Mac & J Smooth | D♭ Major | 3 | 3B | 82 BPM | ||
| What Good Am I Without You | Jackie Wilson | F Major | 7 | 7B | 138 BPM | ||
| Too Soon to Know | Esther Phillips | G Major | 2 | 9B | 183 BPM | ||
| Fear | Supreme Clientele | A Major | 8 | 11B | 111 BPM |