Juan Martin's 'El Metrónomo de Miró - Bulerías' had a release date set for 1974. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in Juan Martin's "Guitar Maestro - the Juan Martín Collection" album is number 13 out of 68. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, El Metrónomo de Miró - Bulerías is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of El Metrónomo de Miró - Bulerías by Juan Martin to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghaith | Ali Sabah | G Major | 1 | 9B | 75 BPM | ||
| Utopia | Robert Michaels | F Major | 8 | 7B | 117 BPM | ||
| Luna Y Sol | Behzad | B Minor | 10 | 10A | 98 BPM | ||
| Dark Gipsy | Al Marconi | C Minor | 8 | 5A | 111 BPM | ||
| Malagueñas Boleras | Carlos Montoya | D Major | 5 | 10B | 117 BPM | ||
| Pureza | Rafael Riqueni | C Major | 6 | 8B | 150 BPM | ||
| Seven Veils | Willie And Lobo | A Major | 6 | 11B | 102 BPM | ||
| The Times We Had | Medité | E Minor | 5 | 9A | 147 BPM | ||
| Canta la Guitarra | Pepe Habichuela | B Major | 2 | 1B | 103 BPM | ||
| Softop Saab - Acoustic version | Saro Tribastone, Riccardo Gerbino, Pier Paolo Alberghini | D Major | 6 | 10B | 110 BPM | ||
| Made in Cepero | Paco Cepero | G Major | 5 | 9B | 99 BPM | ||
| Bye bye | Jose el Petate, Factoria Chakataga | G Major | 0 | 9B | 134 BPM | ||
| Latin Love | Pavlo | D Minor | 9 | 7A | 133 BPM | ||
| Rozy Ke Baragashti | Bahman | B♭ Minor | 5 | 3A | 108 BPM | ||
| Havana | Triomanzana | F♯ Minor | 7 | 11A | 123 BPM | ||
| Tío Arango | Vicente Amigo | D♭ Major | 5 | 3B | 107 BPM | ||
| Emotions | Oscar Lopez | G Minor | 5 | 6A | 87 BPM | ||
| Tuyo | Diego Fernandez | D♭ Minor | 2 | 12A | 110 BPM | ||
| Makam Ajam / Tala'a Mint Beit Abouha - Takassim | Omar Bashir | C Major | 6 | 8B | 177 BPM | ||
| Agua Marina (Rumba Flamenco) | Paco Cepero | F♯ Minor | 7 | 11A | 176 BPM | ||
| Flamenco El Paso | Las Lagrimas | D Minor | 8 | 7A | 100 BPM | ||
| Shadow & Light | Jim Stubblefield | A Minor | 6 | 8A | 100 BPM | ||
| Quizá Si Solamente una Vez | Beto Stocker | D Minor | 5 | 7A | 180 BPM | ||
| Ziba Parasti | Bahman | F Minor | 6 | 4A | 93 BPM | ||
| Taqsîm Maqâm Nahâwând, pt. 1 | Omar Bashir | C Minor | 1 | 5A | 120 BPM |