"Variations And Fugue On A Theme Of Beethoven For Two Pianos, Op.86: Sostenuto" by Max Reger, András Schiff, Peter Serkin had its release date on March 26, 1999. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Variations And Fugue On A Theme Of Beethoven For Two Pianos, Op.86: Sostenuto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in András Schiff, Peter Serkin's "Mozart, Reger, Busoni: Music For Two Pianos" album is number 10 out of 30. Based on our statistics, Variations And Fugue On A Theme Of Beethoven For Two Pianos, Op.86: Sostenuto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations And Fugue On A Theme Of Beethoven For Two Pianos, Op.86: Sostenuto by Max Reger, András Schiff, Peter Serkin to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Woodforde-Finden: 4 Indian Love Lyrics: No. 3, Kashmiri Love Song (Arr. Hough for Piano) | Amy Woodforde-Finden, Stephen Hough | B♭ Major | 0 | 6B | 67 BPM | ||
| Brahms: 4 Klavierstücke, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Nicholas Angelich | B Minor | 0 | 10A | 71 BPM | ||
| Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Vladimir Ashkenazy | C Major | 2 | 8B | 184 BPM | ||
| Forgotten Melodies I, Op. 38: II. Danza Graziosa | Nikolai Medtner, Geoffrey Tozer | A Major | 2 | 11B | 109 BPM | ||
| 2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Piano Concerto in A Minor, Op. 7: I. Allegro maestoso – | Clara Schumann, Tasmanian Symphony Orchestra, Howard Shelley | A♭ Major | 1 | 4B | 134 BPM | ||
| Berceuse in D flat, Op. 57 | Frédéric Chopin, Nikita Magaloff | D♭ Major | 0 | 3B | 105 BPM | ||
| 2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Cello Concerto in A minor, op. 129: II. Adagio - Langsam | Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado | F Major | 0 | 7B | 74 BPM | ||
| Concerto for 3 Harpsichords, Strings, and Continuo No. 1 in D minor, BWV 1063: 2. Alla siciliana | Johann Sebastian Bach, András Schiff, Peter Serkin, Bruno Canino, Camerata Bern | C Major | 3 | 8B | 83 BPM | ||
| Douze valses, Le ruban dénoué: No. 3, Souvenir… Avenir… | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | E Major | 1 | 12B | 108 BPM | ||
| Serenade for Strings in E Minor, Op. 20: 3. Allegretto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 87 BPM | ||
| Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
| Liszt: 6 Consolations, S. 172: V. Andantino | Franz Liszt, Mariam Batsashvili | E Major | 0 | 12B | 166 BPM | ||
| Elgar: 2 Chansons, Op. 15: No. 2, Chanson de matin (Arr. Milone for Cello and Orchestra) | Edward Elgar, Natalie Clein, Royal Liverpool Philharmonic Orchestra, Vernon Handley | D Minor | 7 | 7A | 126 BPM | ||
| Chopin: 24 Preludes, Op. 28: No. 12 in G-Sharp Minor | Frédéric Chopin, Dong Hyek Lim | G Major | 2 | 9B | 101 BPM | ||
| 8 Memories in Watercolor (2002 Version): No. 3, Herdboy's Song | Tan Dun, Ralph van Raat | G Major | 0 | 9B | 66 BPM | ||
| Valses nobles et sentimentales, M. 61: VII. Moins vif | Maurice Ravel, Arcadi Volodos | A Major | 1 | 11B | 74 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 11. Allegro agitato | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
| Etudes-Tableaux, Op. 33, No. 6 in E-Flat Major | Hélène Grimaud | E♭ Major | 2 | 5B | 134 BPM | ||
| Dvořák: Suite, Op. 98, B. 184 "American": IV. Andante | Antonín Dvořák, Georges Pludermacher | B Minor | 0 | 10A | 71 BPM | ||
| 6 Chorale Preludes, BV B 50: Es ist ein Ros entsprungen, Op. 122/8 | Johannes Brahms, Ferruccio Busoni, Igor Levit | F Major | 0 | 7B | 69 BPM | ||
| España, Op. 165: II. Tango - Arr. for Piano by Leopold Godowsky | Isaac Albéniz, Alessio Bax | D Major | 0 | 10B | 64 BPM | ||
| Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 1. Gondoliera (Quasi Allegretto) | Franz Liszt, Wilhelm Kempff | F♯ Major | 1 | 2B | 85 BPM | ||
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 3. Carol | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 80 BPM |