Ralph Sutton, Charlie Lodice, Walter Page, Clyde Hurley, Edmond Hall's ' "Between the Devil and the Deep Blue Sea" was released on its scheduled release date, April 4, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ralph Sutton's "Live in San Francisco: Club Hangover 1954" album is number 2 out of 9. On top of that, United States appears to be the country where this track was created. Between the Devil and the Deep Blue Sea is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Between the Devil and the Deep Blue Sea by Ralph Sutton, Charlie Lodice, Walter Page, Clyde Hurley, Edmond Hall to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sax Serenade | Bronze Oracle | G Minor | 2 | 6A | 119 BPM | ||
| Last Train Swing | Diner Express | G Major | 2 | 9B | 111 BPM | ||
| ディキシーランドジャズ6 | 茶屋萬衛門 | C Minor | 5 | 5A | 105 BPM | ||
| My Daddy Rocks Me | Ralph Sutton, Kenny Davern | F Minor | 3 | 4A | 94 BPM | ||
| Roots | Oscar Peterson, Count Basie | G Major | 3 | 9B | 74 BPM | ||
| Rachel's Birthday | Marco Bianchi Vibes 4tet | E♭ Major | 1 | 5B | 133 BPM | ||
| Shirley | The SWR Big Band, Sammy Nestico, Decebal Badila, Klaus Wagenleiter | B♭ Minor | 3 | 3A | 116 BPM | ||
| Manhattan / The Sidewalks of New York | Dick Hyman, Dick Wellstood | E♭ Major | 2 | 5B | 108 BPM | ||
| Empty Sunset Boulevard | Smoky Avenue | F Minor | 2 | 4A | 89 BPM | ||
| Keep Smilin' | John Kirby and His Orchestra | A♭ Major | 1 | 4B | 114 BPM | ||
| Woodsheddin' with Woody | Woody Herman & His Orchestra | D♭ Major | 7 | 3B | 136 BPM | ||
| I've Got A Pocket Full Of Money | Ralph Sutton, Ruby Braff | A♭ Major | 3 | 4B | 133 BPM | ||
| Ghosts in the Piano Bar | The Half Light Ensemble | G Minor | 3 | 6A | 129 BPM | ||
| Basin Street Blues | The Dukes Of Dixieland, New Orleans Pops Orchestra | D Minor | 3 | 7A | 101 BPM | ||
| Memphis Blues | Ralph Sutton, Kenny Davern | B♭ Major | 4 | 6B | 85 BPM | ||
| Down Home Rag | Ralph Sutton | A Minor | 1 | 8A | 164 BPM | ||
| Panama | Chris Barber, Wendel Brunious | A♭ Major | 3 | 4B | 199 BPM | ||
| Muskrat Ramble | Ralph Sutton | B♭ Major | 3 | 6B | 105 BPM | ||
| Black And Blue | Bob Barnard, Ralph Sutton | B♭ Major | 1 | 6B | 132 BPM | ||
| Oh Baby | Edmond Hall, Ralph Sutton, Walter Page, Charlie Lodis | F Major | 4 | 7B | 113 BPM | ||
| Twilight in Soho | Ray Gelato | D♭ Major | 5 | 3B | 76 BPM | ||
| Neighbors | Adrian Cox, Joe Webb, Simon Read, Gethin Jones | F Minor | 5 | 4A | 204 BPM | ||
| Rachel's Dream | Benny Goodman Quintet | C Major | 4 | 8B | 129 BPM | ||
| If I Could Be With You | Ralph Sutton | C Minor | 3 | 5A | 71 BPM | ||
| Between the Keys | Varnish Ritual | G Major | 1 | 9B | 67 BPM |