"The Te Deum" by Will Bates, Hi Lo Singers had its release date on March 22, 2024. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Will Bates's "Immaculate (Original Motion Picture Soundtrack)" album is number 6 out of 18. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Te Deum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Te Deum by Will Bates, Hi Lo Singers to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Can Hear It When You're Quiet (Finale Suite) | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Cicatrices | Fernando Velázquez | G Minor | 0 | 6A | 92 BPM | ||
| The Hideout | Trent Reznor and Atticus Ross | F♯ Major | 0 | 2B | 66 BPM | ||
| Marionette | Alexis Grapsas | F♯ Major | 0 | 2B | 90 BPM | ||
| Carmela - Suite | Ralf Hildenbeutel | C Major | 0 | 8B | 78 BPM | ||
| Regression | Zilgi | F Minor | 1 | 4A | 181 BPM | ||
| Little World | Anna Meredith | E Minor | 2 | 9A | 142 BPM | ||
| Thesaurus Tuus | Daniel Hart | D Major | 2 | 10B | 60 BPM | ||
| Yole Kross Ayle (The Song of the Dead) | Ian Post | G Major | 4 | 9B | 96 BPM | ||
| Going Through the Motions | Christophe Beck, Michael Paraskevas | F♯ Minor | 1 | 11A | 75 BPM | ||
| Akram Khan's Giselle (After A. Adam): Requiem | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM | ||
| Dark Ambient | Daria Novo | G Minor | 3 | 6A | 47 BPM | ||
| Death | Mica Levi | D Minor | 2 | 7A | 64 BPM | ||
| Austerlitz Kyrie | Martin Phipps, Ensemble Organum | G Minor | 4 | 6A | 156 BPM | ||
| Change of Heart | Raffertie | D♭ Major | 1 | 3B | 81 BPM | ||
| Foreboding | Simon Daum | F♯ Major | 2 | 2B | 144 BPM | ||
| She’s In | Andrew Lockington | D Major | 4 | 10B | 96 BPM | ||
| Lonely Void | Mica Levi | F♯ Major | 1 | 2B | 81 BPM | ||
| Candles for the Dead | Marco Beltrami | D♭ Major | 0 | 3B | 128 BPM | ||
| The Last Foul Wind I Ever Knew | Jóhann Jóhannsson, Theatre Of Voices, Paul Hillier, American Contemporary Music Ensemble | E Minor | 2 | 9A | 83 BPM | ||
| Caleb's Seduction | Mark Korven | A♭ Major | 1 | 4B | 110 BPM | ||
| An Emperor Among Us | Evgueni Galperine, Sacha Galperine | C Minor | 1 | 5A | 76 BPM | ||
| The Fantasy of Happiness | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| Backwards Priests | Jocelyn Pook | D Minor | 2 | 7A | 76 BPM | ||
| Mumbo Bliver Stor | Halfdan E, Tallinn's Finest Sinfonietta | E♭ Major | 2 | 5B | 69 BPM |