Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Willy Hofmann, Josef Metternich's ' "Gasparone: "Zwanzig halt ich" - Dialog (Benozzo, Fremder)" was released on its scheduled release date, September 5, 2014. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The track order of this song in Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Anny Schlemm, Josef Metternich's "Millöcker: Gasparone" album is number 4 out of 35. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Gasparone: "Zwanzig halt ich" - Dialog (Benozzo, Fremder)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gasparone: "Zwanzig halt ich" - Dialog (Benozzo, Fremder) by Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Willy Hofmann, Josef Metternich to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humperdinck : Hänsel und Gretel : Act 1 "So recht! Und willst du nun nicht mehr klagen" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | G Minor | 1 | 6A | 127 BPM | ||
| Als flotter Geist – Ja, das alles auf Ehr‘ (From "Der Zigeunerbaron") | Rudolf Schock | G Major | 4 | 9B | 83 BPM | ||
| Im weißen Rössl am Wolfgangsee | Ralph Benatzky, Rudolf Schock, Ingeborg Hallstein, Johannes Fehring | G Major | 4 | 9B | 79 BPM | ||
| Gräfin Mariza - Operetta in 3 Acts: Ich möchte träumen | Emmerich Kálmán, Rita Bartos, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | F Minor | 3 | 4A | 76 BPM | ||
| Les Patineurs: Pas des patineurs | Giacomo Meyerbeer, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 203 BPM | ||
| Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| Johann Strauss II: Wien bleibt Wien - Marsch | Vienna Walzer Orchestra | D Major | 8 | 10B | 120 BPM | ||
| Wagner: Tannhäuser, Act 2: "O Himmel! Laß dich jetzt erflehen!" (Wolfram, Tannhäuser) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | A Minor | 1 | 8A | 99 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| Der Bettelstudent, Act II: "Nur das eine bitt' ich Dich" | Carl Millöcker, Stuttgart Philharmonic Orchestra, Friederike Sailer, Fritz Mareczek, Fritz Wunderlich | E♭ Major | 3 | 5B | 103 BPM | ||
| Reger: Eine Ballett-Suite, Op. 130: V. Valse d'amour. Sostenuto | Max Reger, Joseph Keilberth, Bamberg Symphony | A Major | 1 | 11B | 77 BPM | ||
| Giselle / Act 1: Pas de deux des jeunes paysans - Pollaca | Adolphe Adam, Franz Burgmüller, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | E♭ Major | 0 | 5B | 81 BPM | ||
| O Mädchen, mein Mädchen | Rudolf Schock | G Major | 2 | 9B | 80 BPM | ||
| Delirien, Walzer, Op. 212 | Josef Strauss, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | ||
| Don Carlos, Act I: Dio, che nell'alma infondere | Giuseppe Verdi, José Carreras, Piero Cappuccilli, Luigi Roni, Vienna State Opera Chorus, Orchester der Wiener Staatsoper, Herbert von Karajan | C Major | 4 | 8B | 145 BPM | ||
| Luisa Miller: Overture | Giuseppe Verdi, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | E♭ Minor | 2 | 2A | 79 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Bavarian Landler | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | F Major | 3 | 7B | 150 BPM | ||
| Norma: Sinfonia | Vincenzo Bellini, London Symphony Orchestra, Richard Bonynge | G Major | 1 | 9B | 140 BPM | ||
| Kálmán: Die Csárdásfürstin, Act 2: "Tanzen möcht' ich" - "Tausend kleine Engel singen" (Sylva, Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Nicolai Gedda, Willy Mattes, Symphonie-Orchester Graunke | D Major | 3 | 10B | 93 BPM | ||
| 歌劇「エドガール」: 第3幕への前奏曲 | Giacomo Puccini, Bratislava CSR Symphony Orchestra, Ondrej Lenard | D Major | 2 | 10B | 61 BPM |