Alessandro Scarlatti, José Coca Loza, Víctor Sordo, La Ritirata, Josetxu Obregon's ' "Il giardino di rose, R.503.19: Seconda Parte: Se il cielo a me nemico (Recitativo)" was released on its scheduled release date, February 14, 2025. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. Il giardino di rose, R.503.19: Seconda Parte: Se il cielo a me nemico (Recitativo) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il giardino di rose, R.503.19: Seconda Parte: Se il cielo a me nemico (Recitativo) by Alessandro Scarlatti, José Coca Loza, Víctor Sordo, La Ritirata, Josetxu Obregon having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Konrad Junghanel, Robert Kohnen | C Major | 1 | 8B | 107 BPM | ||
| Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : IV Allegro assai | Evaristo Felice Dall'Abaco, Concerto Köln | E Major | 3 | 12B | 117 BPM | ||
| Pergolesi: Sinfonia a tre in F Major: III. Adagio | Giovanni Battista Pergolesi, Il Seminario Musicale | C Minor | 0 | 5A | 111 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Omphale, Acte I: Air. Calme heureux, agréable paix... | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra, Reinoud Van Mechelen | B♭ Minor | 1 | 3A | 82 BPM | ||
| Atys, LWV 53, Act III Scene 4c: Prélude pour Melpomène | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | B♭ Major | 4 | 6B | 177 BPM | ||
| Concerto 2 in D Major, Op. 7: III. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 0 | 3A | 112 BPM | ||
| Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 42 BPM | ||
| Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
| Hasse: Serpentes ignei in deserto: Recitativo. "Longo labore oppressi" (Eliab, Eleazar) | Johann Adolf Hasse, Thibault Noally, Les Accents, Carlo Vistoli, David Hansen | F♯ Major | 1 | 2B | 134 BPM | ||
| Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Matrona inimica" | Antonio Vivaldi, Rachel Redmond, Jordi Savall, Le Concert Des Nations | A Major | 3 | 11B | 174 BPM | ||
| Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 7, By Beauteous Softness | Henry Purcell, Paul-Antoine Benos-Djian, Le Consort | D♭ Minor | 0 | 12A | 71 BPM | ||
| Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | E♭ Major | 1 | 5B | 168 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: II. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 3 | 12A | 135 BPM | ||
| The Indian Queen, Z. 630: "I attempt from love's sickness" | Henry Purcell, Alfred Deller, Roderick Skeaping, Wieland Kuijken, William Christie | D Major | 1 | 10B | 72 BPM | ||
| Scarlatti, A: Salve Regina: I. Salve Regina | Alessandro Scarlatti, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 3 | 2A | 94 BPM | ||
| Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 1 | 3A | 82 BPM | ||
| Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": I. Andante - Spirituoso | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 88 BPM | ||
| Stabat mater: III. O Quam tristis et afflicta | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
| Sonata in G Minor, Op. 2, No. 3: I. Adagio | Benedetto Marcello, Collegium Pro Musica | F♯ Minor | 1 | 11A | 80 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM |