Ruggero Leoncavallo, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel's 'Mattinata (Arr. Maazel for Tenor, Violin & Orchestra)' had a release date set for January 1, 2002. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Mattinata (Arr. Maazel for Tenor, Violin & Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sentimento". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Italy. Based on our statistics, Mattinata (Arr. Maazel for Tenor, Violin & Orchestra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mattinata (Arr. Maazel for Tenor, Violin & Orchestra) by Ruggero Leoncavallo, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cardillo: Core n'grato | Salvatore Cardillo, Andrea Bocelli, Academy Of Choir Art Of Russia, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | E♭ Major | 2 | 5B | 125 BPM | ||
| Rigoletto / Act 1: "Questa o quella" - Remastered | Giuseppe Verdi, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | D♭ Minor | 3 | 12A | 81 BPM | ||
| Arrivederci Roma | Renato Rascel, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Major | 1 | 6B | 85 BPM | ||
| Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) | Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | C Minor | 3 | 5A | 80 BPM | ||
| Puccini: La bohème, Act I: "Che gelida manina!" | Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 86 BPM | ||
| Puccini: La bohème, Act 1: "Ehi! Rodolfo! … O soave fanciulla, o dolce viso" (Schaunard, Colline, Marcello, Rodolfo, Mimi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Major | 1 | 11B | 88 BPM | ||
| La clemenza di Tito, K.621 / Act 2: "S'altro che lagrime" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 62 BPM | ||
| Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt' eine Vilja, ein Waldmägdelein" (Hanna) | Franz Lehár, Karita Mattila, Yutaka Sado, London Philharmonic Orchestra | G Major | 1 | 9B | 176 BPM | ||
| Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
| Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Marilyn Horne, Samuel Ramey, Enzo Dara, Paolo Barbacini, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM | ||
| La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Carlo Bergonzi, Dame Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | B♭ Major | 2 | 6B | 138 BPM | ||
| Un Hombre Solo | Manuel Alejandro, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| Giordano: Andrea Chénier, Act I: "O pastorelle, addio!" | Umberto Giordano, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | A Major | 0 | 11B | 137 BPM | ||
| Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
| Tosca, Act I: Recondita armonia | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | F Major | 2 | 7B | 83 BPM | ||
| L'elisir d'amore, Act. I - Quanto è bella quanto è cara | Gaetano Donizetti, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | C Major | 3 | 8B | 70 BPM | ||
| Kdyz mne stará matka - Zigeunerlieder, Op. 55 | Patricia Janečková, Orchester Viva Musica! | D Major | 2 | 10B | 86 BPM | ||
| Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
| So in love [Kiss me Kate] | Kiri Te Kanawa, Nelson Riddle | C Minor | 2 | 5A | 111 BPM | ||
| La forza del destino, Act II: La Vergine degli angeli (Fra Melitone/Padre Guardiano) | Giuseppe Verdi, Sesto Bruscantini/Paul Plishka/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Riccardo Muti, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 82 BPM | ||
| La Bohème / Act 1: "Che gelida manina" - Remastered | Giacomo Puccini, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | D♭ Major | 2 | 3B | 103 BPM | ||
| Norma / Act I: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
| Addio a Napoli | Giuseppe Di Stefano | D Minor | 1 | 7A | 76 BPM | ||
| Fedora: Amor ti vieta | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | C Major | 2 | 8B | 177 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM |