"Conclusion" by Jack Halama had its release date on January 5, 2020. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Conclusion's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Traces (Original Television Soundtrack)". In this album, this song's track order is #17. Based on our statistics, Conclusion's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Conclusion by Jack Halama having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Driving To Chinatown | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM | ||
| The Captain and Ann Barbara | Dan Romer | D Minor | 2 | 7A | 92 BPM | ||
| Raising The Lusitania | Chris Benstead | B♭ Major | 0 | 6B | 177 BPM | ||
| I Don't Think It's Dead | Dan Romer, Giosuè Greco | D Minor | 2 | 7A | 89 BPM | ||
| Bo Attacked | Jack Halama, Scott Shields | E Minor | 3 | 9A | 101 BPM | ||
| Spycraft 101 | Martin Phipps | B♭ Major | 1 | 6B | 83 BPM | ||
| Memphis Belle | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Charge | Martin Phipps, Latvian Radio Choir, BBC National Orchestra Of Wales | D Major | 2 | 10B | 92 BPM | ||
| And Then There Were None | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| A Bullet in Time | Jon Opstad | F Minor | 2 | 4A | 88 BPM | ||
| Kremlin Lie | Marcelo Zarvos | A Minor | 2 | 8A | 135 BPM | ||
| Beyond Terminus | Bear McCreary, Sparks & Shadows | D Minor | 2 | 7A | 95 BPM | ||
| Harry Potter and the Deathly Hallows: Obliviate | Alexandre Desplat, Orchestre de Paris | G Major | 2 | 9B | 93 BPM | ||
| Forgotten Sins | Audiomachine, Harry Lightfoot | G Minor | 8 | 6A | 120 BPM | ||
| Conspiracy Theories | Sam Watts | A♭ Major | 8 | 4B | 170 BPM | ||
| Sojourn For Jack | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| Fairytale | Martin Phipps | F Major | 1 | 7B | 68 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| Elephant | Jack Halama, Scott Shields | E Minor | 3 | 9A | 101 BPM | ||
| Parting Gift | Sam Watts | D Major | 5 | 10B | 114 BPM | ||
| Waiting for Tim | Paul Leonard-Morgan | A Minor | 0 | 8A | 180 BPM | ||
| Submarine Rises | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| The Final Act | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| Martha Suite | Evgueni Galperine, Sacha Galperine | C Minor | 1 | 5A | 135 BPM | ||
| KAOS III | Isabella Summers | C Major | 2 | 8B | 150 BPM |