"The Melting Ice" by Rob Kelly had its release date on September 27, 2024. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. The Melting Ice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 7 in Celloscapes by Richard Harwood, Rob Kelly. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Melting Ice is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Melting Ice by Rob Kelly is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chopin: Cello Sonata in G Minor, Op. 65: IV. Finale. Allegro | Frédéric Chopin, Richard Harwood/Christoph Berner | D Minor | 1 | 7A | 73 BPM | ||
| Reborn | Alexis Ffrench, Lavinia Meijer | C Major | 2 | 8B | 100 BPM | ||
| Stair Echoes | Alexandra Hamilton-Ayres, Her Ensemble | E Major | 2 | 12B | 171 BPM | ||
| Suspirium (Arr. Rimmer) | Jess Gillam, Jess Gillam Ensemble | D♭ Minor | 0 | 12A | 93 BPM | ||
| Each Wish Resigned | Kira Ha | C Minor | 1 | 5A | 88 BPM | ||
| Sol Levante | Laura Masotto, Mari Samuelsen, Scoring Berlin | C Minor | 5 | 5A | 122 BPM | ||
| Moving Slowly | Wilson Trouvé | F♯ Major | 1 | 2B | 90 BPM | ||
| Home | ABBOTT, Vocaal Ensemble Cordier, Ruben Jeyasundaram | B Major | 1 | 1B | 81 BPM | ||
| A Feeling I've Never Been | Kris Bowers, Tayla Parx | D Major | 4 | 10B | 115 BPM | ||
| Skreevar | Erland Cooper, Marta Salogni | A Minor | 4 | 8A | 128 BPM | ||
| The Last Farm 4 | Kjartan Sveinsson | G Major | 3 | 9B | 153 BPM | ||
| There, Before Me | Pêtr Aleksänder | D Minor | 0 | 7A | 71 BPM | ||
| Three Pieces for Solo Cello: I. Rosewood | John Williams, Richard Harwood | C Minor | 0 | 5A | 173 BPM | ||
| Cellospheres | Richard Harwood, Rob Kelly | C Minor | 3 | 5A | 83 BPM | ||
| Smiles For Y | Ezio Bosso | C Minor | 2 | 5A | 142 BPM | ||
| Sonata No. 5 in A Major, TWV 40:122: III. Schentando | Georg Philipp Telemann, Maya Magub, Benjamin Jacobson, Marianne Thorsen, Jonathan Morton, Jonathan Moerschel, Richard Harwood | F Minor | 1 | 4A | 92 BPM | ||
| Daddy's Coming Home | Richard Harwood | D♭ Major | 5 | 3B | 125 BPM | ||
| I. Even | Peter Gregson, Richard Harwood, Warren Zielinski, Ben Hancox, James Boyd | F Major | 5 | 7B | 70 BPM | ||
| Arvo Pärt: Spiegel im Spiegel | Arvo Pärt, Duo Cassadó | F Major | 1 | 7B | 78 BPM | ||
| Mother's Theme | Iskra String Quartet, Iskra Strings, Paul Frith | A Minor | 0 | 8A | 66 BPM | ||
| Spiral, for Violin, Piano and Strings: I. First Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman, Royal Philharmonic Orchestra | A Major | 5 | 11B | 110 BPM | ||
| Ruqia | James Heather | G Minor | 1 | 6A | 114 BPM | ||
| Autumn on the Keys | Theo Vos | F Minor | 0 | 4A | 84 BPM | ||
| The Beatitudes | Vladimir Martynov, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | B♭ Major | 2 | 6B | 113 BPM | ||
| Zurich | Jóhann Jóhannsson, Echo Collective | E Minor | 2 | 9A | 130 BPM |