Charlie Mole's 'The Tail' had a release date set for February 28, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "The Mallorca Files (Music from Series One of the Television Series)". In this album, this song's track order is #16. The popularity of The Tail is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Tail by Charlie Mole having a BPM of 202 with a half-time of 101 BPM and a double-time of 404 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Si La Vie Était Simple | Six Nights, Dean Khan | A Minor | 2 | 8A | 90 BPM | ||
| Mildred Pierce Opening Titles | Carter Burwell | D Minor | 1 | 7A | 73 BPM | ||
| You Would Be My Wife | Rachel Portman | G Major | 1 | 9B | 84 BPM | ||
| The Soldier's Tale | Nicholas Britell | E♭ Minor | 2 | 2A | 140 BPM | ||
| Pulling a Thread | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | D Minor | 5 | 7A | 128 BPM | ||
| Go! | Charlie Mole | E Major | 2 | 12B | 87 BPM | ||
| Far from the Madding Crowd Love Theme | Craig Armstrong | A Minor | 3 | 8A | 87 BPM | ||
| Mistake of Your Life | Rachel Portman | D Minor | 0 | 7A | 79 BPM | ||
| The Boat | Rachel Portman | E Minor | 1 | 9A | 92 BPM | ||
| The Black Dress | David Hirschfelder | A Minor | 6 | 8A | 130 BPM | ||
| Desplat: Girl with a Pearl Earring | Pro Arte Orchestra Of London, Michael Davis, Alexandre Desplat | D Minor | 1 | 7A | 83 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| The Dressmaker Opening Titles | David Hirschfelder | G Minor | 2 | 6A | 93 BPM | ||
| The Penny Drop for Lord Henry | Charlie Mole | D♭ Major | 2 | 3B | 81 BPM | ||
| Vanes Chase | Charlie Mole | D Major | 5 | 10B | 175 BPM | ||
| The Wrath of the Lamb Pt. 2 / Bach Aria Pt. 2 | Brian Reitzell | G Major | 1 | 9B | 93 BPM | ||
| Alive | Guy Farley | E Minor | 0 | 9A | 120 BPM | ||
| The Pier | Rachel Portman | E Minor | 1 | 9A | 85 BPM | ||
| Death Waltz | Adam S Hurst, Adam Hurst | C Minor | 2 | 5A | 98 BPM | ||
| The Throne Room of the King of Dreams | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| There Is Hope | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Curtain | Dario Marianelli | D Minor | 4 | 7A | 68 BPM | ||
| Sunlit Kiss | Rael Jones, Anthony Weeden | C Major | 0 | 8B | 76 BPM | ||
| I Am No Longer Hungry | Steven Price | D Major | 1 | 10B | 113 BPM | ||
| Remarkable Convictions | Trevor Kowalski | F Minor | 1 | 4A | 70 BPM |