- BPM
- 109
- Key
- D Minor
- Camelot
- 7A
24 Caprices en formes d'etudes: No. 3 in G Major by Pierre Rode, Elizabeth Wallfisch Song Details
Pierre Rode, Elizabeth Wallfisch's ' "24 Caprices en formes d'etudes: No. 3 in G Major" was released on its scheduled release date, May 19, 2010. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 24 Caprices en formes d'etudes: No. 3 in G Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Rode: 24 Caprices en formes d'etudes". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, 24 Caprices en formes d'etudes: No. 3 in G Major is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
With 24 Caprices en formes d'etudes: No. 3 in G Major by Pierre Rode, Elizabeth Wallfisch having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.32 dB
- Acousticness
- 99%
- Danceability
- 44%
- Energy
- 16%
- Instrumentalness
- 62%
- Liveness
- 13%
- Loudness
- 73%
- Speechiness
- 6%
- Valence
- 55%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: I. Allegro, ma poco | Jean-Marie Leclair, Itzhak Perlman | E Minor | 2 | 9A | 129 BPM | |
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | |
 | Sonata No. 2 in A Minor, Op. 27 No. 2: I. "Obession" (Prelude):Poco vivace | Eugène Ysaÿe, James Ehnes | A Minor | 2 | 8A | 128 BPM | |
 | Dvořák: Violin Sonatina in G Major, Op. 100, B. 183 "Indian Lament": III. Scherzo. Molto vivace | Antonín Dvořák, Itzhak Perlman, Samuel Sanders | D♭ Major | 1 | 3B | 92 BPM | |
 | Gretchen am Spinnrade, D. 118 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Minor | 2 | 7A | 84 BPM | |
 | Paganini: 24 Caprices, Op. 1: No. 4 in C Minor | Niccolò Paganini, Augustin Hadelich | A♭ Major | 1 | 4B | 106 BPM | |
 | Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | |
 | Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | |
 | Partita No. 1 for Solo Violin in B Minor, BWV 1002: II. Double | Johann Sebastian Bach, Hilary Hahn | A Major | 4 | 11B | 75 BPM | |
 | Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante | Franz Anton Hoffmeister, John Mills, Bozidar Vukotic | A Minor | 1 | 8A | 144 BPM | |
 | Concerto for Guitar and Bandoneon: II. Milonga | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | C Major | 1 | 8B | 78 BPM | |
 | Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: I. Andante | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | B♭ Major | 1 | 6B | 98 BPM | |
 | 24 Caprices for Solo Violin, Op. 22: No. 6 in B Minor. Adagio - Moderato | Pierre Rode, Roksana Kwaśnikowska | C Major | 1 | 8B | 123 BPM | |
 | Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 17 | Pierre Rode, Steven Staryk, Kenneth Gilbert, Adela Kotowska, Eloise Niwa | C Minor | 1 | 5A | 115 BPM | |
 | Violin Concerto No. 7 in A Minor, Op. 9: III. Rondo | Pierre Rode, Friedemann Eichhorn, SWR Rundfunkorchester Kaiserslautern, Nicolás Pasquet | C Major | 1 | 8B | 74 BPM | |
 | Introduction & Variations on Di tanti palpiti' from Rossini's Tancredi, Op. 13, "I Palpiti" | Niccolò Paganini, Roman Kim, Jure Gorucan | A Major | 1 | 11B | 113 BPM | |
 | Violin Concerto No. 9 in A Minor, Op. 104: I. Allegro maestoso | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | D Major | 0 | 10B | 78 BPM | |
 | Viotti: Violin Concerto No. 22 in A Minor: I. Moderato | Giovanni Battista Viotti, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | E Major | 2 | 12B | 117 BPM | |
 | Romance in C Major, Op. 48 | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 101 BPM | |
 | Chiquilín de Bachín | Astor Piazzolla, Maria Lindsay, Josephine Allan | E Minor | 2 | 9A | 109 BPM | |
 | 24 Caprices for Solo Violin, Op. 22: No. 6 in B Minor. Adagio - Moderato | Pierre Rode, Oscar Shumsky | B Minor | 1 | 10A | 101 BPM | |
 | Melodie | Christoph Willibald Gluck, Itzhak Perlman, Samuel Sanders | D Minor | 1 | 7A | 89 BPM | |
 | Violin Concerto No. 12 in E Major, Op. 27: I. Allegro brillante | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | E Major | 3 | 12B | 138 BPM | |
 | Violin Concerto No. 8 in E Minor, Op. 13: I. Moderato | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | E Minor | 2 | 9A | 142 BPM | |
 | 24 caprices en formes d'etudes: No. 5 in D Major | Pierre Rode, Axel Strauss | D Major | 1 | 10B | 93 BPM |
- ISRC
- DEB200412903
- Label
- L-M Records/RCA Records