On January 1, 1961, the song "Come September" was released by Billy Vaughn. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Come September's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 13 in Berlin Melody by Billy Vaughn. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Come September is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Come September by Billy Vaughn is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dr. Zhivago : Lara's Theme | Richard Abel | G Major | 3 | 9B | 128 BPM | ||
| Maria Elena | Melodías Mágicas | D Major | 3 | 10B | 72 BPM | ||
| Perfidia | Pasapoga Light Orchestra | D♭ Major | 1 | 3B | 66 BPM | ||
| Amarcord | Jean Claude Borelly | B Major | 4 | 1B | 116 BPM | ||
| La Balanga | Hector Delfosse | D♭ Major | 7 | 3B | 121 BPM | ||
| Slowfox: 30 Takte Pro Minute - Adios | Kurt Edelhagen | F Major | 5 | 7B | 120 BPM | ||
| Wheels (From 'Golden Hit Instrumentals') | Al Caiola | D Minor | 1 | 7A | 109 BPM | ||
| Andalucía (La Brisa y Yo) | Mantovani y Su Gran Orquesta | D Major | 4 | 10B | 120 BPM | ||
| Qué mundo tan maravilloso - What a Wonderful World | Waldo De Los Ríos | F Major | 3 | 7B | 95 BPM | ||
| Picolissima Serenata | Juan Torres Y Su Organo Melodico | F Major | 5 | 7B | 120 BPM | ||
| Moonlight Bay | Billy Vaughn | F♯ Major | 3 | 2B | 110 BPM | ||
| Solamente Una Vez / Sabor a Mi - Instrumental | Luis Siu Riveron | C Major | 3 | 8B | 116 BPM | ||
| Petite Fleur | Billy Vaughn | G Minor | 2 | 6A | 123 BPM | ||
| Blue Tango | Billy Vaughn | E♭ Major | 4 | 5B | 109 BPM | ||
| El Bimbo / Baby | Cicci Guitar Condor | A Minor | 7 | 8A | 115 BPM | ||
| Midnight in Moscow - Remastered | Al Caiola & His Guitar | C Minor | 5 | 5A | 145 BPM | ||
| Tea for Two | Jean Paques | G Minor | 2 | 6A | 123 BPM | ||
| Little serenade | Francis Dupont | B♭ Major | 5 | 6B | 120 BPM | ||
| Cherry Pink and Apple Blossom White | Eddie Calvert | E♭ Major | 5 | 5B | 113 BPM | ||
| Oh mio bambino caro | Eddie Calvert | D Minor | 1 | 7A | 109 BPM | ||
| El Amor Es Algo Maravilloso | Pasapoga Light Orchestra | D Major | 4 | 10B | 97 BPM | ||
| ¿Quién Será? - Sway [Twist] | Pablo Beltran Ruiz Y Su Orquesta | C Minor | 7 | 5A | 134 BPM | ||
| Besame Mucho | Francisco Garcia | D Minor | 3 | 7A | 103 BPM | ||
| A Fine Romance | The British Ballroom Players | G Major | 3 | 9B | 108 BPM | ||
| Recuerdos De La Alhambra (with The Royal Philharmonic Orchestra) | Luis Cobos, Royal Philharmonic Orchestra | A Minor | 6 | 8A | 98 BPM |