"The End Was Never The End" by Tom Schley, The Blake Robinson Synthetic Orchestra had its release date on June 8, 2022. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Stanley Parable: Ultra Deluxe (Additional Music from the Original Soundtrack)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Sweden. Based on our statistics, The End Was Never The End's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The End Was Never The End by Tom Schley, The Blake Robinson Synthetic Orchestra having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Informing Stanley | The Blake Robinson Synthetic Orchestra, Blake Robinson | F♯ Major | 5 | 2B | 160 BPM | ||
| Mischief in your Daydreams | The Blake Robinson Synthetic Orchestra | B Minor | 5 | 10A | 120 BPM | ||
| Longing for Light | Nathan Hanover Synthonic Orchestra | A Minor | 2 | 8A | 78 BPM | ||
| Rumbi Factory | Pascal Michael Stiefel, Cameron 'Caero' Munoz | D Minor | 2 | 7A | 180 BPM | ||
| Princess Snake | Louie Zong | F Major | 2 | 7B | 71 BPM | ||
| Bottom Line Corp. | Max LL | C Major | 4 | 8B | 111 BPM | ||
| Prisma Disruption | Harry Mack, Monomi Park | B♭ Major | 1 | 6B | 73 BPM | ||
| Weeping Wastes | Eric Thompson | A♭ Major | 1 | 4B | 68 BPM | ||
| Gracefully Into the Abyss | Leon Riskin | D♭ Minor | 1 | 12A | 147 BPM | ||
| Ångad Skinka | Hudson Bikichky | A♭ Minor | 2 | 1A | 124 BPM | ||
| Still Going | Gooseworx, Evan Alderete | G Major | 0 | 9B | 50 BPM | ||
| Troy: The Steam Sledding Captain | Luis Humanoide | A♭ Minor | 6 | 1A | 141 BPM | ||
| Porto | James Primate | D♭ Minor | 1 | 12A | 63 BPM | ||
| The Monkey King | Jonatan Järpehag | D Major | 5 | 10B | 66 BPM | ||
| Suspended Sanctuary | Joseph Nied | C Major | 1 | 8B | 67 BPM | ||
| Tumbler | Kyle Gabler | C Major | 8 | 8B | 178 BPM | ||
| Thoughts of Home | Jason Graves | C Major | 2 | 8B | 85 BPM | ||
| Woven | Jake Gauntlett | G Major | 1 | 9B | 66 BPM | ||
| Blubber Blues | Oliver Buckland | A Major | 5 | 11B | 103 BPM | ||
| Platitudes (Piano) | Lucas Saur | C Major | 1 | 8B | 70 BPM | ||
| The Prank | Scott Buckley | D Major | 4 | 10B | 120 BPM | ||
| The Night Seemed Endless and Fraught With Peril | Joel Bille, Bortre Rymden | B♭ Major | 2 | 6B | 90 BPM | ||
| The Journey Home | Harlan Guthrie | G Minor | 0 | 6A | 132 BPM | ||
| The Last Clockwinder | Joel Corelitz | A Minor | 1 | 8A | 99 BPM | ||
| 3 In The Morning - Pianokind | CopacetiCat | D Minor | 5 | 7A | 150 BPM |