"The Dark End Of The Street" by The Commitments had its release date on January 1, 1991. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Dark End Of The Street's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Commitments". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The Dark End Of The Street is average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Dark End Of The Street by The Commitments having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bend Down Low | Paddy Casey | G Major | 5 | 9B | 143 BPM | ||
| You Got The Silver | Susan Tedeschi | E Major | 5 | 12B | 94 BPM | ||
| I Feel A Sin Coming On | Shemekia Copeland | E♭ Major | 5 | 5B | 122 BPM | ||
| Come To Me | Diesel | F Major | 6 | 7B | 94 BPM | ||
| Quarter on the Ground (A Song for Uncle Joe) | Matt Andersen | A Major | 2 | 11B | 69 BPM | ||
| Long as I Can See the Light | Janiva Magness | B Major | 7 | 1B | 138 BPM | ||
| The Snake | Al Wilson | G Major | 9 | 9B | 112 BPM | ||
| Wherever I Go | Mark Knopfler, Ruth Moody | B Major | 1 | 1B | 131 BPM | ||
| Let Me Breathe | Janiva Magness | A♭ Major | 5 | 4B | 123 BPM | ||
| Soul Man | Andrew Strong | A Major | 8 | 11B | 118 BPM | ||
| Trying to Get Through | Hothouse Flowers | G Major | 1 | 9B | 129 BPM | ||
| If You Let Me Stay | Sananda Maitreya, Michael H. Brauer | F♯ Major | 8 | 2B | 198 BPM | ||
| What's the Matter with You | Elles Bailey | B Minor | 5 | 10A | 170 BPM | ||
| Sweet Country Love Song | Jools Holland & Gregory Porter | F Major | 4 | 7B | 81 BPM | ||
| Not The Girl You Think You Are | Crowded House | E Major | 4 | 12B | 94 BPM | ||
| She Caught the Katy | The Blues Brothers | B♭ Major | 7 | 6B | 96 BPM | ||
| Here And Now | Del Amitri | G Major | 7 | 9B | 184 BPM | ||
| Spit In The Rain | Del Amitri | D Major | 7 | 10B | 112 BPM | ||
| Salutation Road | Martin Stephenson, The Daintees | E♭ Major | 6 | 5B | 136 BPM | ||
| Holding On To You | Sananda Maitreya | F♯ Major | 7 | 2B | 130 BPM | ||
| Suspicious Minds | Fine Young Cannibals | G Major | 9 | 9B | 129 BPM | ||
| All This Useless Beauty | Elvis Costello & The Attractions | D Major | 1 | 10B | 137 BPM | ||
| Cry to Me | Solomon Burke | E Major | 6 | 12B | 115 BPM | ||
| Sunshine on Leith - Radio Edit | The Proclaimers | D Major | 3 | 10B | 84 BPM | ||
| All The Way From America | Joan Armatrading | E Major | 3 | 12B | 136 BPM |