Ranas Dúo Porteño de Tango, Chino Laborde's ' "Esa estrella era mi lujo" was released on its scheduled release date, December 12, 2025. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Esa estrella era mi lujo's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Esa estrella era mi lujo and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, Esa estrella era mi lujo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Esa estrella era mi lujo by Ranas Dúo Porteño de Tango, Chino Laborde is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Muerte del Angel | Ranas Dúo Porteño de Tango | E Minor | 3 | 9A | 90 BPM | ||
| Luna de Plata | Orquesta Típica Sans Souci, César Peduzzi | G Major | 4 | 9B | 103 BPM | ||
| El Abrojito | Dipi Kvitko, Chino Laborde | E Major | 3 | 12B | 122 BPM | ||
| Yo no sé que me han hecho tus ojos | Orquesta Típica Misteriosa Buenos Aires | F Minor | 2 | 4A | 165 BPM | ||
| Tu Angustia y Mi Dolor | La Auténtica Milonguera | B♭ Major | 2 | 6B | 127 BPM | ||
| Irrealidad - Instrumental | Fabio Hager Sexteto | A Minor | 5 | 8A | 101 BPM | ||
| Bailá este tango conmigo - Tango | Guillermo Fernández, Orquestra Típica | G Minor | 4 | 6A | 107 BPM | ||
| Libertango | Ranas Dúo Porteño de Tango | A Major | 4 | 11B | 115 BPM | ||
| Floreal Ruiz | Sexteto Fantasma, Natalia Martinez | E Major | 5 | 12B | 106 BPM | ||
| Dos palabras por favor | Ricardo Tanturi y Enrique Campos | A♭ Major | 3 | 4B | 127 BPM | ||
| Chiqué | Orquesta Típica Sans Souci | G Minor | 3 | 6A | 129 BPM | ||
| Y dale que dale | Orquesta Típica Misteriosa Buenos Aires, Black Rodríguez Méndez | D Major | 5 | 10B | 99 BPM | ||
| Volverás | Osvaldo Fresedo | A Minor | 4 | 8A | 109 BPM | ||
| Nido Gaucho | Chino Laborde, Dipi Kvitko | D Minor | 3 | 7A | 124 BPM | ||
| Amar y callar | Nelly Omar | F♯ Minor | 4 | 11A | 126 BPM | ||
| Buscándote | Cuarteto Mulenga | F Major | 4 | 7B | 114 BPM | ||
| Mimi Pinson (with Gran Orquesta Típica OTRA) | Omar Mollo, Gran Orquesta Típica OTRA | G Major | 4 | 9B | 102 BPM | ||
| Última Copa en el Abismo | RICHAR MT | A Minor | 4 | 8A | 109 BPM | ||
| Tabaco | Federico Mizrahi, Guillermo Fernández, Chino Laborde | C Minor | 7 | 5A | 118 BPM | ||
| Cuesta Abajo | Orquesta Típica Fernández Fierro | G Minor | 4 | 6A | 82 BPM | ||
| Quedémonos Aquí | Solo Tango Orquesta, Chino Laborde | D Major | 5 | 10B | 134 BPM | ||
| Tus labios me diran | Romántica Milonguera | C Minor | 5 | 5A | 127 BPM | ||
| Soy muchacho de la guardia | Orquesta Anibal Troilo, Francisco Fiorentino | C Major | 3 | 8B | 129 BPM | ||
| Mi Involución | Acho Estol, Chino Laborde | E Major | 3 | 12B | 116 BPM | ||
| Olivero (Arr. Pugliese) | José Martínez, Cuarteto Soltango | E Major | 3 | 12B | 117 BPM |