Roy Clark's ' "Which One Is To Blame" was released on its scheduled release date, January 1, 1989. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Which One Is To Blame's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Roy Clark's Greatest". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Which One Is To Blame is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Which One Is To Blame by Roy Clark having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Elusive Dreams | David Houston, Tammy Wynette | C Major | 3 | 8B | 103 BPM | ||
| You Don't Know Me | Eddy Arnold | A♭ Major | 2 | 4B | 95 BPM | ||
| The Church in the Wildwood | Roy Clark | C Major | 6 | 8B | 121 BPM | ||
| The Tip Of My Fingers | Jean Shepard | D Major | 3 | 10B | 68 BPM | ||
| A White Sport Coat (And a Pink Carnation) (with Ray Conniff) | Marty Robbins, Ray Conniff | D Major | 6 | 10B | 114 BPM | ||
| Another Story | Ernest Tubb | C Major | 3 | 8B | 198 BPM | ||
| Don't Touch Me | Jeannie Seely | E Major | 1 | 12B | 106 BPM | ||
| I'll Never Find Another You | Sonny James | C Major | 3 | 8B | 74 BPM | ||
| Green, Green Grass of Home | Porter Wagoner | F Major | 2 | 7B | 108 BPM | ||
| Your Man Loves You Honey | Tom T. Hall | A Major | 4 | 11B | 102 BPM | ||
| I Can't Help Myself - 2008 Version | Eddie Rabbitt | G Major | 5 | 9B | 102 BPM | ||
| Too Old To Cut The Mustard | Red Foley, Ernest Tubb | D Major | 5 | 10B | 106 BPM | ||
| Hey, Good Lookin' | Hank Williams, Cincinnati Pops Orchestra, Erich Kunzel, Roy Clark, Peter Ruth | F Major | 4 | 7B | 139 BPM | ||
| Truck Driving Man | George Hamilton IV | E Major | 6 | 12B | 104 BPM | ||
| Pitty, Pitty, Patter | Susan Raye | F Major | 5 | 7B | 107 BPM | ||
| Rub It In | Billy 'Crash' Craddock | G Major | 5 | 9B | 116 BPM | ||
| He'll Have To Stay | Jeanne Black | B♭ Major | 2 | 6B | 166 BPM | ||
| Thank God and Greyhound You're Gone - Live | Country's Family Reunion, Roy Clark | B♭ Major | 2 | 6B | 171 BPM | ||
| The Older The Violin, The Sweeter The Music | Hank Thompson | E Major | 4 | 12B | 105 BPM | ||
| Just Beyond the Moon | Tex Ritter | G Major | 3 | 9B | 113 BPM | ||
| I'll Call You Charlie (You Call Me Joan) | George Morgan, Marion Worth | G Major | 2 | 9B | 79 BPM | ||
| Me and Jesus | Roy Clark | D Major | 5 | 10B | 151 BPM | ||
| Wrong Road Again | Crystal Gayle | A♭ Major | 3 | 4B | 90 BPM | ||
| How Could I Love Her So Much | Johnny Rodriguez | D Major | 3 | 10B | 104 BPM | ||
| The Great Divide | Roy Clark | G Major | 6 | 9B | 102 BPM |