"Shiny Red Automobile" by George Morgan had its release date on 2005. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Shiny Red Automobile's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Starday Years". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Shiny Red Automobile is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Shiny Red Automobile by George Morgan having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leave Me Alone With the Blues | Vernon Oxford | E Major | 5 | 12B | 90 BPM | ||
| Cigarettes And Coffee Blues | Jean Shepard | G Major | 3 | 9B | 133 BPM | ||
| Mr. Record Man | Jeannie Seely | A Major | 6 | 11B | 115 BPM | ||
| Two Voices, Two Shadows, Two Faces | Ned Miller | F♯ Major | 2 | 2B | 76 BPM | ||
| Just Your Conscience | George Morgan, Marion Worth | C Major | 3 | 8B | 114 BPM | ||
| There's Something About a Lady | Johnny Duncan | F Major | 4 | 7B | 117 BPM | ||
| Love Is No Excuse | Jim Reeves, Dottie West | C Major | 4 | 8B | 124 BPM | ||
| One Has My Name (The Other Has My Heart) - 1948 Single | Jimmy Wakely | A Major | 1 | 11B | 133 BPM | ||
| Don't Touch Me | Jeannie Seely | E Major | 1 | 12B | 106 BPM | ||
| The Key's in the Mailbox | Freddie Hart | A Major | 4 | 11B | 128 BPM | ||
| A Million and One | Billy Walker | C Major | 3 | 8B | 74 BPM | ||
| It Costs Too Much to Die | Lefty Frizzell | D Major | 4 | 10B | 126 BPM | ||
| If a Woman Answers | Leroy Van Dyke | A Minor | 8 | 8A | 172 BPM | ||
| I Can't Seem To Say Goodbye | Hawkshaw Hawkins | D Major | 2 | 10B | 86 BPM | ||
| Send Me the Pillow You Dream On (feat. Jim Ed Brown) | The Browns, Jim Ed Brown | B Major | 3 | 1B | 100 BPM | ||
| Take Good Care Of Her | Sonny James | A♭ Major | 3 | 4B | 100 BPM | ||
| Shutters and Boards | Jerry Wallace | C Major | 5 | 8B | 132 BPM | ||
| It Will Never Rain Roses | Al Terry | C Major | 3 | 8B | 101 BPM | ||
| High on a Hilltop | Tommy Collins | E Major | 3 | 12B | 103 BPM | ||
| Take Me As I Am (Or Let Me Go) | Little Jimmy Dickens | A♭ Major | 2 | 4B | 120 BPM | ||
| Anymore | Roy Drusky | E Major | 4 | 12B | 129 BPM | ||
| Once A Day | Charlie Louvin | B Major | 4 | 1B | 132 BPM | ||
| Welcome Back To My World | George Morgan | B♭ Major | 3 | 6B | 76 BPM | ||
| I Made Her That Way | Crispian St. Peters | B Major | 4 | 1B | 135 BPM | ||
| Tips Of My Fingers | Roy Clark | G Major | 6 | 9B | 102 BPM |