There For Tomorrow's 'Taking Chances' had a release date set for July 1, 2008. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "There For Tomorrow (Deluxe Edition)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of Taking Chances is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Taking Chances by There For Tomorrow having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Head In Hands | Valencia | D Major | 9 | 10B | 155 BPM | ||
| Rhythm of the Room | Divided By Friday | G Minor | 9 | 6A | 140 BPM | ||
| How to Rape a Country | A Change of Pace | D Minor | 10 | 7A | 181 BPM | ||
| Anthem For Tonight | Halifax | D Minor | 9 | 7A | 126 BPM | ||
| The Ultimate Cover Up | The Audition | E♭ Minor | 9 | 2A | 175 BPM | ||
| Bendy | Hidden In Plain View | C Major | 9 | 8B | 178 BPM | ||
| Statistics | Madina Lake | A Minor | 10 | 8A | 133 BPM | ||
| The Architect | Aerolyn | E Major | 10 | 12B | 150 BPM | ||
| Drive There Now! | The Almost | D♭ Minor | 9 | 12A | 118 BPM | ||
| Deadlines | There For Tomorrow | G Minor | 9 | 6A | 154 BPM | ||
| Natural Competition | Conditions | E♭ Minor | 10 | 2A | 185 BPM | ||
| Here I Go Again | The Sunstreak | A♭ Major | 10 | 4B | 142 BPM | ||
| There Will Be Rain | Young Guns | D♭ Minor | 9 | 12A | 94 BPM | ||
| Loud And Clear | The Sleeping | A♭ Minor | 9 | 1A | 167 BPM | ||
| Once Upon A Lie | The Sunstreak | D♭ Major | 9 | 3B | 121 BPM | ||
| Get It | There For Tomorrow | A Major | 8 | 11B | 135 BPM | ||
| Not for This World | Madina Lake | D Minor | 10 | 7A | 111 BPM | ||
| BLU | There For Tomorrow | E♭ Minor | 5 | 2A | 134 BPM | ||
| The Process | My American Heart | E Minor | 9 | 9A | 132 BPM | ||
| Bravery | Ivoryline | B♭ Minor | 9 | 3A | 77 BPM | ||
| Raising the Bar | Envoi | F♯ Minor | 9 | 11A | 87 BPM | ||
| I Mostly Copy Other People | The Almost | C Major | 9 | 8B | 174 BPM | ||
| See Me Smiling | Yellowcard | G Major | 10 | 9B | 163 BPM | ||
| Reckless Abandonment | The Spill Canvas | E♭ Minor | 10 | 2A | 181 BPM | ||
| Never Say, "I Told You So" | The Almost | C Major | 9 | 8B | 168 BPM |