"Damage Control" by Chris Pureka had its release date on April 13, 2010. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Chris Pureka's "How I Learned to See in the Dark" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Damage Control's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Damage Control by Chris Pureka to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daphne | Lia Ices, Justin Vernon | E♭ Major | 3 | 5B | 126 BPM | ||
| Red & White & Blue & Gold | Aoife O'Donovan | G Major | 4 | 9B | 109 BPM | ||
| Acid Tongue | Jenny Lewis | A Major | 3 | 11B | 131 BPM | ||
| Swimmer... | Amanda Shires | B Major | 3 | 1B | 106 BPM | ||
| The Roundy-Roundy Song | Braidwood | A Minor | 4 | 8A | 189 BPM | ||
| American Dream | Rainbow Girls | D Major | 4 | 10B | 86 BPM | ||
| Tinder | Chris Pureka | A♭ Minor | 2 | 1A | 78 BPM | ||
| My Skin | Natalie Merchant | G Major | 1 | 9B | 117 BPM | ||
| Once More, For The Dollhouse | Basia Bulat | D Major | 3 | 10B | 78 BPM | ||
| Wreaking Havoc | Sarah Jaffe | F Major | 2 | 7B | 63 BPM | ||
| Light That Match | Down Like Silver | A♭ Minor | 3 | 1A | 111 BPM | ||
| Dryland | Chris Pureka | B♭ Major | 3 | 6B | 148 BPM | ||
| If I Could Talk To A Younger Me | Béla Fleck, Abigail Washburn | A♭ Major | 3 | 4B | 135 BPM | ||
| Vengeance Is Sleeping | Neko Case | F♯ Minor | 3 | 11A | 123 BPM | ||
| Sure As Night | Joan Shelley | A Major | 2 | 11B | 164 BPM | ||
| Santa Fe | Samantha Crain | B♭ Major | 4 | 6B | 71 BPM | ||
| Horses | The Be Good Tanyas | C Major | 1 | 8B | 116 BPM | ||
| Atomic Number | Neko Case, k.d. lang, Laura Veirs | F Minor | 6 | 4A | 140 BPM | ||
| Pale Fire | Amanda Shires | C Major | 2 | 8B | 97 BPM | ||
| Wrecking Ball | Gillian Welch | C Major | 4 | 8B | 145 BPM | ||
| Detroit Or Buffalo | Amanda Shires | C Major | 3 | 8B | 77 BPM | ||
| Call Your Girlfriend | Lucy Wainwright Roche | F Major | 2 | 7B | 91 BPM | ||
| Old Mountain Line | Po' Girl | B♭ Major | 3 | 6B | 136 BPM | ||
| Black Roses | Escondido | C Major | 6 | 8B | 186 BPM | ||
| Howl | The Lowest Pair | A♭ Minor | 3 | 1A | 164 BPM |