"Salve, mi puerule" by Christian Ritter, Lucile Richardot, Sébastien Daucé, Ensemble Correspondances had its release date on April 11, 2025. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Northern Light. Echoes from 17th-century Scandinavia". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Salve, mi puerule is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salve, mi puerule by Christian Ritter, Lucile Richardot, Sébastien Daucé, Ensemble Correspondances having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Theile: Der Sionitin Wiegenlied: Nun, ich singe! Gott, ich knie | Johann Theile, Christina Pluhar, Céline Scheen, Philippe Jaroussky, Jesús Rodil, Dingle Yandell, L'Arpeggiata | F Major | 1 | 7B | 95 BPM | ||
| L'Orfeo: "Mio ben, teco il tormento" | Luigi Rossi, Nicolas Achten | D Minor | 1 | 7A | 171 BPM | ||
| Jesu, meine Freude in E Minor, BuxWV 60: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 167 BPM | ||
| Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
| Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM | ||
| Couperin, L: La Piémontoise, G. 102 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| Organ Concerto No. 5 in F, Op. 4 No. 5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
| Fairy Queen, Z. 629: One charming night - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 133 BPM | ||
| Vendado amor es, no ciego ( Zarzuela): Tempestad grande | José de Nebra, Bejun Mehta, Concerto Köln, Pablo Heras-Casado | E Minor | 5 | 9A | 145 BPM | ||
| In furore iustissimae irae, RV 626: III. Largo | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Minor | 0 | 11A | 97 BPM | ||
| Suite in G Major: V. Capriccio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 80 BPM | ||
| Endimione e Cintia: Aria "Se geloso è il mio core" | Alessandro Scarlatti, Elizabeth Watts, Mark Bennett, Laurence Cummings, The English Concert | D♭ Major | 1 | 3B | 110 BPM | ||
| Suite in G Minor: I. Sarabande | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
| Sfessania | Traditional, Christina Pluhar, L'Arpeggiata | G Major | 4 | 9B | 159 BPM | ||
| Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
| Violin Sonata in G Minor: III. Adagio | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 0 | 11A | 88 BPM | ||
| Suite in F-Sharp Minor: I. Allemand | Christian Ritter, Gabriel Smallwood | D♭ Major | 0 | 3B | 106 BPM | ||
| Suite in C Minor: III. Sarabanda | Christian Ritter, Yoann Moulin | B Minor | 1 | 10A | 131 BPM | ||
| Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
| Fantasia in C Minor, TWV 40:26: I. Adagio - Allegro - Adagio - Allegro | Georg Philipp Telemann, Paolo Pandolfo | F♯ Minor | 1 | 11A | 103 BPM | ||
| Quatuor No. 1 in D Major: I. Prélude; Vivement | Georg Philipp Telemann, Masahiro Arita, Tokyo Baroque Trio | A♭ Major | 2 | 4B | 115 BPM | ||
| Stabat Mater | Christina Pluhar | A Minor | 1 | 8A | 99 BPM | ||
| La Girouette | Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM |