- BPM
- 80
- Key
- A♭ Major
- Camelot
- 4B
Padla Rosa Studená by Jaroslav Krcek, Musica Bohemica Song Details
Jaroslav Krcek, Musica Bohemica's 'Padla Rosa Studená' had a release date set for 1978. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Padla Rosa Studená's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Musica Bohemica, Jaroslav Krcek's "Lidové Zpěvy Vánoční" album is number 10 out of 18. On top of that, Czechia appears to be the country where this track was created. Padla Rosa Studená is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Padla Rosa Studená by Jaroslav Krcek, Musica Bohemica to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 17%
- Loudness
- -9.903 dB
- Acousticness
- 88%
- Danceability
- 32%
- Energy
- 33%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 83%
- Speechiness
- 3%
- Valence
- 38%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Overture For Viola D'amore & Orchestra in D Minor, GWV 426: II. Rondeau | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 121 BPM | |
 | Corelli: Concerto grosso in D Major, Op. 6 No. 7: I. Vivace - Allegro - Adagio | Arcangelo Corelli, Claudio Scimone, I Solisti Veneti | D Minor | 2 | 7A | 147 BPM | |
 | Concerto Grosso in A Minor, Op. 3, No. 2: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 108 BPM | |
 | 12 Concerti grossi, Op. 6 - Concerto grosso in G major, Op. 6, No. 1: 5. Allegro | George Frideric Handel, Handel and Haydn Society, Christopher Hogwood | D♭ Major | 2 | 3B | 102 BPM | |
 | 6 Sonates en symphonies, Op. 3, Sonata No. 1: III. Gigha. Allegro | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 2 | 11A | 80 BPM | |
 | Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | |
 | Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | |
 | King Arthur, or The British Worthy, Z.628: First Music: Chaconne | Henry Purcell, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 84 BPM | |
 | Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 1 | 6A | 82 BPM | |
 | Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | |
 | Concerto No 7 in C major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Major | 2 | 1B | 115 BPM | |
 | Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berliner Barock Compagney | F♯ Major | 2 | 2B | 103 BPM | |
 | Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | |
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | |
 | Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | |
 | Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | |
 | Concerto Grosso in D Minor, Op. 2, No. 5: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 111 BPM | |
 | Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 134 BPM | |
| Concerto in G Minor: I. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 94 BPM | |
 | Cello Concerto in D Major, G. 479: III. Allegro | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | E Minor | 1 | 9A | 96 BPM | |
 | Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | |
 | Violin Sonata in E-flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berliner Barock Compagney | F♯ Major | 1 | 2B | 139 BPM | |
 | Symphony No. 69 in A Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A♭ Major | 2 | 4B | 117 BPM | |
| Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | |
 | Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 0 | 2B | 96 BPM |
- ISRC
- CZA167800562
- Label
- L-M Records/RCA Records