"Missa pro defunctis: VI. Lux aeterna" by Pierre de la Rue, New London Chamber Choir, James Wood had its release date on January 1, 1986. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Missa pro defunctis: VI. Lux aeterna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Pierre De La Rue: Requiem - Josquin Desprez: Mass - Hercules dux Ferrariae - Deploration". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Missa pro defunctis: VI. Lux aeterna is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa pro defunctis: VI. Lux aeterna by Pierre de la Rue, New London Chamber Choir, James Wood having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Carrying Celadus / Honor His Memory | Joseph Loduca | D Minor | 1 | 7A | 75 BPM | ||
| Regina caeli: II. Resurrexit, sicut dixit | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM | ||
| Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
| Miserere mei Deus, C. 116: VI. Docebo iniquos vias tuas | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 2 | 3B | 107 BPM | ||
| Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
| Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
| Gloria, JD 15: Gloria (Jesu Christe Fili Dei), JD 15 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| Autant en emporte le vent | Pierre de la Rue, Katelijne Van Laethem, Jan Caals, Jan Van Elsacker, Currende Consort | C Major | 0 | 8B | 98 BPM | ||
| Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
| Kanon pokajanen: Kontakion | Arvo Pärt, Cappella Amsterdam, Daniel Reuss | F Major | 0 | 7B | 82 BPM | ||
| Requiem: IV. Offertorium | Pierre de la Rue, Ensemble Clément Janequin, Dominique Visse | B Major | 1 | 1B | 180 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM | ||
| Antiphon: In mandatis eius | Sixt Dietrich, Amarcord | B Minor | 1 | 10A | 75 BPM | ||
| Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| Obras de musica para tecla, arpa y vihuela: No. 79, Diferencias sobre "El Canto del Caballero" - Version for Consort of 4 Viols and Harp | Antonio de Cabezón, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 119 BPM | ||
| Pulcherrima rosa | Jan Garbarek, The Hilliard Ensemble | A Minor | 1 | 8A | 127 BPM | ||
| Chosì pensoso | Francesco Landini, La Reverdie | D Minor | 1 | 7A | 81 BPM | ||
| S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A Minor | 1 | 8A | 133 BPM | ||
| O Virgo splendens (canon a 3 & monodic) | Jordi Savall | A Minor | 3 | 8A | 74 BPM | ||
| Kanon Pokajanen: Ode IV | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | D Minor | 0 | 7A | 84 BPM | ||
| Heu me, Domine | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
| Stella Matutina | Monks Of The Abbey Of Notre Dame, Capella Gregoriana Easo, Wonderworker, The Schola Cantorum of St. John XXIII Parish | C Major | 0 | 8B | 135 BPM |