"Julia Walks to Shed" by Javier Navarrete had its release date on October 29, 2021. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 26 in Antlers (Original Motion Picture Soundtrack) by Javier Navarrete. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Julia Walks to Shed is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Julia Walks to Shed by Javier Navarrete is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aggie Fights | Jon Brion | G Major | 1 | 9B | 108 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| Large Ventricles | Amie Doherty | E Minor | 1 | 9A | 75 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Echo | Luzima | A Major | 2 | 11B | 81 BPM | ||
| Edith's Theme | Fernando Velázquez | G Minor | 1 | 6A | 81 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Balandrau | Arnau Bataller | D Minor | 2 | 7A | 82 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| The Gravel Road - Score | James Newton Howard | G Minor | 1 | 6A | 86 BPM | ||
| Born To Darkness Part 2 - from 'Interview With The Vampire: The Vampire Chronicles' | L'Orchestre d'Academie | C Major | 0 | 8B | 60 BPM | ||
| The River | Javier Navarrete | A Minor | 1 | 8A | 86 BPM | ||
| Still Life | Elliot Goldenthal | G Minor | 0 | 6A | 74 BPM | ||
| Lucrezia Donati | Bear McCreary | E Minor | 0 | 9A | 108 BPM | ||
| Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM | ||
| Invocation | Peter Gundry | B♭ Minor | 3 | 3A | 160 BPM | ||
| Deep Forest | Javier Navarrete | F Major | 1 | 7B | 84 BPM | ||
| Whatever Hour You Woke | Daniel Hart | A Minor | 2 | 8A | 78 BPM | ||
| Each Night in Bed I Think of Her Assets | 조영욱과 THE SOUNDTRACKINGS | G Minor | 2 | 6A | 101 BPM | ||
| What’s with Her? | 조영욱과 THE SOUNDTRACKINGS | E♭ Minor | 1 | 2A | 76 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| A Different Light | Anne Dudley, The Quartet Of London | E Minor | 2 | 9A | 71 BPM | ||
| Seduction | Adam Hurst | D Major | 2 | 10B | 77 BPM | ||
| The Dreams that Stuff is Made Of | Jóhann Jóhannsson | C Minor | 1 | 5A | 58 BPM | ||
| The Ghost | Jocelyn Pook, Harvey Brough, Belinda Sykes | D♭ Major | 1 | 3B | 81 BPM |