On February 10, 2002, the song "Prabhu Pavitpawan" was released by Sanjay Raizada, Ruchi. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Prabhu Pavitpawan's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 8 in Aalochana Paath by Sanjay Raizada, Ruchi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Prabhu Pavitpawan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Prabhu Pavitpawan by Sanjay Raizada, Ruchi is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 1/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| CHARNE RAKHO SARNE RAKHO | NIDHI DHOLKIYA-NITIN DEVKA | F Major | 6 | 7B | 94 BPM | ||
| HU TARO LALO O MAIYA | Nidhi Dholkia | C Major | 6 | 8B | 88 BPM | ||
| Baaki Tu Jaane | Sandeep Bansal | D♭ Major | 8 | 3B | 82 BPM | ||
| Hari Chhel Bajae | Rajkot Gurukul | D♭ Major | 8 | 3B | 120 BPM | ||
| Banke Bihari Aarti | Shridhay Shri Mridul krishna shastri ji maharaj | F♯ Major | 8 | 2B | 150 BPM | ||
| Rangai Jaane Rang Ma | Rekha Trivedi, Kirti Punekar | B♭ Minor | 5 | 3A | 100 BPM | ||
| Jalo Mhari Jod Ro | Seema Mishra | F♯ Minor | 4 | 11A | 100 BPM | ||
| Vandu Sahajanand | Shree Swaminarayan Temple Bhuj | F♯ Major | 6 | 2B | 90 BPM | ||
| DRADH HIN CHARNN | Nitin Devka | D♭ Major | 7 | 3B | 89 BPM | ||
| Premal Jyoti Taro | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | D♭ Major | 3 | 3B | 130 BPM | ||
| Mare Mandir Padharo Shrinathiji | Maya Deepak | A♭ Major | 5 | 4B | 170 BPM | ||
| Gunje Sada Jaikaar Veera Tere Bhawan Main | Sanjay Raizada, Suman Yadav, Mohan Kumar, Shalini Shrivastav | F♯ Major | 6 | 2B | 102 BPM | ||
| Bedle Pani Ho Bedle | Achal Maheta | F♯ Major | 6 | 2B | 134 BPM | ||
| BHAJAMAN GIRIVAR DHARI | NITIN DEVKA-NIDHO DHOLKIA | D♭ Major | 7 | 3B | 89 BPM | ||
| Banno To Mahara Shyam Sunder Awtar | Seema Mishra | B Major | 8 | 1B | 105 BPM | ||
| Zari Ki Pagari Bandhey Sunder Aankhon Wala | Mridul Krishan Shastri | F♯ Major | 8 | 2B | 142 BPM | ||
| O SHRINATHJI AVJO TAME | Priti Gajjar | F Minor | 6 | 4A | 131 BPM | ||
| Bhiksha Dene Maiya | Lalita Ghodadra, Raghuveer Kunchala, Mathur Kanjariya, Suresh Raval, Dipak Joshi | A♭ Major | 6 | 4B | 74 BPM | ||
| Ram Na Vicharo Mare | Kiran Prajapati | B♭ Minor | 7 | 3A | 147 BPM | ||
| Hey Ram Bhakt Hanuman | Manju Sharma, Shalini Shrivastava, Sanjay Raizada, Mohan Kumar | F Minor | 5 | 4A | 135 BPM | ||
| Tataniya Dharawali Khodal Mata | Meena Patel | C Major | 7 | 8B | 155 BPM | ||
| Agharam Maghuram | Shailendra Bharti, Nisha Upadhyay | E♭ Minor | 5 | 2A | 101 BPM | ||
| Aasra Is Jahan Ka | Pujya Bhaishree Rameshbhai Ojha | A Major | 2 | 11B | 120 BPM | ||
| Mujhe Ram Pyare — Mujhe Ram Dedo | Mukul Dwivedi | A♭ Major | 6 | 4B | 138 BPM | ||
| RADHA JI NU ZANZRIYU | NIDHO DHOLKIA | F Minor | 7 | 4A | 120 BPM |