Fatma Said, David Bergmüller's 'Minué cantado' had a release date set for September 2, 2022. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Minué cantado's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fatma Said's "Kaleidoscope" album is number 1 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Minué cantado is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Minué cantado by Fatma Said, David Bergmüller to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
| Denza: Funiculì-funiculà (Orch. Schoenberg) | Luigi Denza, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 141 BPM | ||
| Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, Solem Quartet | G Major | 1 | 9B | 74 BPM | ||
| Mendelssohn: String Octet in E-Flat Major, Op. 20, MWV R20: II. Andante | Felix Mendelssohn, Quatuor Ébène, Belcea Quartet | C Major | 1 | 8B | 141 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | C Major | 1 | 8B | 141 BPM | ||
| 20 cantos populares espanoles: No. 4, Montanesa | Joaquin Nin, Ninon Vallin | B♭ Major | 2 | 6B | 175 BPM | ||
| Rêve d'enfant, Op. 14 (Arr. for Violin & Piano) | Eugène Ysaÿe, Minami Teramoto, Mizuho Teramoto | B♭ Minor | 1 | 3A | 64 BPM | ||
| 10 Villancicos Españoles: No. 2. Villancico gallego, "Os angeliños d'agloria" (Arr. for Voice and Cello Ensemble by Elias Arizcuren) | Joaquin Nin, Cello Octet Conjunto Ibérico, Elias Arizcuren, Claron McFadden | F Major | 1 | 7B | 138 BPM | ||
| 3 Romances for Violin and Piano, Op. 22: I. Andante Molto | Clara Schumann, Alexandra Dariescu, Tomo Keller | C Major | 1 | 8B | 141 BPM | ||
| Tissue No. 6 | Philip Glass, Camille Thomas, Julien Brocal | C Major | 0 | 8B | 85 BPM | ||
| Reflection No. 5 (With Surprises) | Camille Thomas, Julien Brocal | F Major | 1 | 7B | 80 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): II. Adagio | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 1 | 8B | 141 BPM | ||
| String Octet in C Major, Op. 7 (Version for String Orchestra): Même temps | George Enescu, Tabea Zimmermann, Ensemble Resonanz | B Major | 0 | 1B | 72 BPM | ||
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Homage 1770 | María Dueñas | A Minor | 1 | 8A | 90 BPM | ||
| Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
| Juditha triumphans, RV 644: Agitata infido flatu - Arr. for Voice & Piano | Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent | D♭ Minor | 3 | 12A | 76 BPM | ||
| Suite Espagnole: III. Asturiana | Joaquin Nin, Svetlana Tovstukha, Melani Mestre, Kazan Philharmonic Orchestra | E Major | 1 | 12B | 87 BPM | ||
| Spanish Suite (Excerpts Arr. for Cello & Piano): II. Murciana | Joaquin Nin, Keith Harvey, Linn Hendry | D Major | 1 | 10B | 135 BPM | ||
| Fandango per violoncello solo | Giovanni Sollima, Anastasia Kobekina | D Minor | 2 | 7A | 182 BPM | ||
| Bernstein: West Side Story: Somewhere (Arr. Penaforte for Violin and Piano) | Leonard Bernstein, Augustin Hadelich, Orion Weiss | E Major | 1 | 12B | 99 BPM |