Ravindra Jain's ' "Baal Roop Dekhe Jo Kanhayi - 2" was released on its scheduled release date, February 27, 2021. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ravindra Jain's "Krishna Bhajan, Vol. 6 - Krishna Kanhaiya Jasoda Ke Ghar" album is number 6 out of 12. On top of that, India appears to be the country where this track was created. Baal Roop Dekhe Jo Kanhayi - 2 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Baal Roop Dekhe Jo Kanhayi - 2 by Ravindra Jain to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sarangay Namoh Namah | Arun Dangle | E Major | 5 | 12B | 111 BPM | ||
| Har Taraf Ab Yehi Afsane Hain | Manna Dey, Madan Mohan | E Major | 3 | 12B | 91 BPM | ||
| O Door Se Aanewale Bata | Mahendra Kapoor, Manhar Udhas, Laxmikant–Pyarelal | G Major | 6 | 9B | 168 BPM | ||
| Tera Sahara Ambe Maa | Milan Singh | A Major | 6 | 11B | 91 BPM | ||
| Mat Soch Musafir Re | Mohammed Aziz, Kshitij Kumar, Indira, B.L. Rana | D Major | 8 | 10B | 131 BPM | ||
| Zulfon Ke Mahkte Saye Hai | Asha Bhosle | A♭ Major | 4 | 4B | 89 BPM | ||
| Tu Pyar Leke | Salma Agha | G Major | 5 | 9B | 101 BPM | ||
| Geet Sindoor Daan | Sharda Sinha | B♭ Major | 3 | 6B | 100 BPM | ||
| Dekho Jani Dushman Apas Men Yaar | Suresh Wadkar, Jaspal Singh | F Major | 5 | 7B | 168 BPM | ||
| Dost Ghamkhwari Mein Meri Sahi Farmayenge Kya | Jagjit Singh | G Major | 3 | 9B | 73 BPM | ||
| Aaine Mein Ek Chand Si Surat | Amirbai Karnataki, Surendra | F♯ Minor | 2 | 11A | 88 BPM | ||
| Lara Loo Lara Loo | Shamshad Begum | B♭ Minor | 5 | 3A | 92 BPM | ||
| Ab Maloom Hua | Pankaj Udhas | F Minor | 4 | 4A | 115 BPM | ||
| Aao Shiv Ka Dhyan Karen | Brahma Kumari | D Major | 6 | 10B | 82 BPM | ||
| Tere Haseen Badan Mein | Mukesh, Kalyanji-Anandji | D Minor | 5 | 7A | 100 BPM | ||
| Chanana Channan Pag Ghungru Bole | Hemlata, Satish Dehra, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Ramto Jogi | NARAYANSWAMI | F Major | 6 | 7B | 185 BPM | ||
| Dil Ek Mandir Hai | Mohammed Rafi, Suman Kalyanpur | C Minor | 4 | 5A | 147 BPM | ||
| Sunoji Tum Bade Woh Ho | Suman Kalyanpur, Kishore Kumar, R. D. Burman | B Minor | 5 | 10A | 92 BPM | ||
| Jawaniya Ke Din Dui Char Rasiya | Hansa Dave, Kalyanji-Anandji | E♭ Major | 6 | 5B | 100 BPM | ||
| Ankhon Ne Mohabbat Mein | Mahendra Kapoor, Laxmikant–Pyarelal | B♭ Major | 5 | 6B | 143 BPM | ||
| Mere Mehboob Kuch Bhi Ho | Mohammed Aziz | F Major | 7 | 7B | 72 BPM | ||
| Murakh Prem Berbhu Ka | Mirza Musharaf, Kamala | B Major | 3 | 1B | 92 BPM | ||
| Mat Piyo Mere Chhaila Tambakudi | Leela Pawar, Master Amritlal | F♯ Minor | 2 | 11A | 76 BPM | ||
| Sunle Tu Binati Meri Haji Ali | Aziz Nazan Qawwal, R. D. Burman | G Major | 7 | 9B | 96 BPM |