On 2001, the song "Variations On A Dead Swan" was released by Morten Abel. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Variations On A Dead Swan's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Morten Abel's "I'll Come Back And Love You Forever" album is number 10 out of 12. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Variations On A Dead Swan's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Variations On A Dead Swan by Morten Abel to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just a Normal Day | The Monroes | C Major | 8 | 8B | 83 BPM | ||
| Talk talk talk talk | Conor Patrick | F♯ Minor | 5 | 11A | 160 BPM | ||
| Far Between Highlights (And Further the Distance Grew) | Tommy Tokyo | F Minor | 5 | 4A | 110 BPM | ||
| Cold Night | Eskobar | B♭ Minor | 2 | 3A | 105 BPM | ||
| Ingeborg | Vamp | A Major | 7 | 11B | 182 BPM | ||
| Et Godt Aua | Tønes | E Minor | 2 | 9A | 102 BPM | ||
| I Can Take It | The September When | E Minor | 7 | 9A | 115 BPM | ||
| Mr Innocent | Morten Abel | G Major | 8 | 9B | 92 BPM | ||
| Ingen Blir Igjen | Tre Små Kinesere | C Major | 3 | 8B | 120 BPM | ||
| Eg går og Legge Meg | Tønes | G Minor | 5 | 6A | 176 BPM | ||
| Last Day of Summer | Magnet | A Minor | 5 | 8A | 105 BPM | ||
| Can I Trust You | The September When | G Major | 9 | 9B | 121 BPM | ||
| Back To ... Little Eden - 2012 Remaster | Little Eden | D Major | 5 | 10B | 75 BPM | ||
| Under Administration | Sivert Høyem | C Minor | 7 | 5A | 200 BPM | ||
| Come Closer | Marit Larsen | G Major | 7 | 9B | 105 BPM | ||
| Winterland | Morten Abel | D Major | 7 | 10B | 102 BPM | ||
| Men går eg øve engene | Vamp | D Major | 2 | 10B | 180 BPM | ||
| This Time | Minor Majority | C Major | 5 | 8B | 138 BPM | ||
| A Perfectly Orchestrated Demise | Ghost Dog | F Major | 9 | 7B | 116 BPM | ||
| Passelig Dose | Kari Bremnes | B Minor | 4 | 10A | 120 BPM | ||
| Mitt strøk | Magnus Grønneberg | E Major | 7 | 12B | 106 BPM | ||
| Will You Carry Me Across the Water? | Midnight Choir | G Major | 6 | 9B | 125 BPM | ||
| Tulipz | Morten Abel | A Minor | 8 | 8A | 116 BPM | ||
| Natt og dag | Finn Kalvik, Praha Filharmoniske Orkester | A Major | 2 | 11B | 58 BPM | ||
| Der Hvor Roser Aldri Dør | Magnus Grønneberg | E Major | 3 | 12B | 141 BPM |