Mark Morgon-Shaw, Click Clock's ' "Pixel Perfect" was released on its scheduled release date, October 25, 2024. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Tech: Flashback". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Pixel Perfect's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pixel Perfect by Mark Morgon-Shaw, Click Clock having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Feeling A Tad Vulnerable | Hans Zimmer | D Major | 7 | 10B | 135 BPM | ||
| Star Trek: Starfleet Academy End Titles | Jeff Russo | A Minor | 3 | 8A | 80 BPM | ||
| A Dark Cold Place | Luca Francini | E Minor | 1 | 9A | 115 BPM | ||
| Liquid Dreams | Ryan Davis, Ian Urbina | A Minor | 8 | 8A | 92 BPM | ||
| Lost City Combat at Day | Gareth Coker | A Minor | 3 | 8A | 80 BPM | ||
| Bamboo Forest | The Flight, Assassin's Creed | G Major | 2 | 9B | 80 BPM | ||
| Mountain Meadow | Mark Morgon-Shaw, Graham Andrews, Intervox Music | E♭ Minor | 2 | 2A | 82 BPM | ||
| Muckin Around | Context Sensitive | E♭ Major | 2 | 5B | 140 BPM | ||
| Once Metropolis | Laryssa Okada | D Minor | 4 | 7A | 120 BPM | ||
| My Daughter | David Buckley | B♭ Major | 2 | 6B | 130 BPM | ||
| Lone - Extrait de la bande originale du film "De toutes mes forces" | Thylacine | D Minor | 6 | 7A | 105 BPM | ||
| The Trail We Leave Behind | Oleksa Lozowchuk | B Minor | 1 | 10A | 83 BPM | ||
| Smash Things Up | Mark Morgon-Shaw, Helen Robertson, Black Is Blonde | C Major | 7 | 8B | 180 BPM | ||
| Eternal | AIArt Electronics | C Major | 2 | 8B | 180 BPM | ||
| Omatic | Solar Fields | G Major | 6 | 9B | 150 BPM | ||
| Do I Have Your Attention | Mark Morgon-Shaw, Helen Robertson, Black Is Blonde | D♭ Major | 5 | 3B | 152 BPM | ||
| 3.8_1-cybersecurity.mogg | Mac Quayle | C Major | 3 | 8B | 120 BPM | ||
| Beneath the Waves | Steven Price | D Minor | 3 | 7A | 124 BPM | ||
| SEE YOU SOON | Lecirev | F♯ Minor | 10 | 11A | 135 BPM | ||
| Apollo Battle | Ben Prunty | A Minor | 8 | 8A | 130 BPM | ||
| Kyle | Olivier Deriviere | F Major | 8 | 7B | 110 BPM | ||
| Descent | Melodysheep | G Major | 3 | 9B | 94 BPM | ||
| VR Spaces | Kords | F Major | 6 | 7B | 189 BPM | ||
| Sundown | Clap Orion | F♯ Major | 1 | 2B | 125 BPM | ||
| You Will Count Your Dead | Two Steps from Hell | B♭ Minor | 3 | 3A | 105 BPM |