"Point No Point" by Paul Cantelon, Lili Haydn had its release date on August 1, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Lili Haydn, Paul Cantelon's "Lullabies for the Brokenhearted" album is number 4 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Point No Point is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Point No Point by Paul Cantelon, Lili Haydn to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| A New Day Beckons | Antony Partos | B Minor | 1 | 10A | 88 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| Spying | Nico Muhly | F Minor | 1 | 4A | 144 BPM | ||
| Packing for the Voyage | Michael Brook | A Minor | 2 | 8A | 82 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| Umdankbar Kind | Angels in America | E♭ Major | 1 | 5B | 41 BPM | ||
| Delta Waltz - Piano Version | Paul Cantelon | C Major | 2 | 8B | 146 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| Wasn't Meant to Be | Joy Ngiaw | G Major | 3 | 9B | 119 BPM | ||
| Princesa de Portugal | Federico Jusid, Orquesta Sinfónica de Radiotelevisión Española (RTVE), Coro de Radiotelevisión Española (RTVE) | A Minor | 1 | 8A | 114 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| You Are Not Alone | Angelo Milli | F♯ Minor | 2 | 11A | 68 BPM | ||
| White Roses of Scotland | Bear McCreary | A Minor | 1 | 8A | 72 BPM | ||
| Otros Perfiles | Las Guerreras | B♭ Major | 0 | 6B | 145 BPM | ||
| Raindrops | Panu Aaltio | F Major | 1 | 7B | 79 BPM | ||
| Eternal Rift | Akihiro Manabe | E Minor | 1 | 9A | 129 BPM | ||
| Ethel Main Title | Miriam Cutler | F Major | 1 | 7B | 120 BPM | ||
| Alive | Guy Farley | E Minor | 0 | 9A | 120 BPM | ||
| The Glass Slipper | George Fenton | D Major | 1 | 10B | 140 BPM | ||
| Keep Your Wig On | James Shearman, Nick Ingman | E♭ Major | 2 | 5B | 148 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| The Train Leaves | Emilio Kauderer, Federico Jusid, And Sebastian Kauderer | E♭ Major | 1 | 5B | 95 BPM | ||
| Madrid, 1922 | Cesar Benito | C Major | 3 | 8B | 139 BPM |