"Symphony No. 1: VI. Final" by Louis Vierne, Daniel Roth had its release date on November 4, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vierne: Complete Organ Symphonies Vol. 1 by Louis Vierne, Daniel Roth. The song's track number on the album is #6 out of 11 tracks. Based on our data, Germany was the country where this track was produced or recorded. Symphony No. 1: VI. Final is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 1: VI. Final by Louis Vierne, Daniel Roth has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony No. 1: VI. Final being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mouser | Marie Glacier | C Major | 1 | 8B | 76 BPM | ||
| Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam | C Major | 2 | 8B | 68 BPM | ||
| Thalben-Ball: Elegy | George Thalben-Ball, Ian Tracey | G Minor | 0 | 6A | 98 BPM | ||
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
| Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
| Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 76 BPM | ||
| Nisi Dominus, ZWV 92: Nisi Dominus - World Premiere Recordings | Jan Dismas Zelenka, Ensemble Inégal, Prague Baroque Soloists, Adam Viktora, Gabriela Eibenová, Filippo Mineccia, Tobias Hunger, Jiri Miroslav Prochazka | A♭ Minor | 3 | 1A | 112 BPM | ||
| Resolè Vegeterian | Michelle Legauffe | D Major | 3 | 10B | 54 BPM | ||
| Credo in F Major: II. Crucifixus | Antonio Lotti, Thomas Hengelbrock | B Minor | 1 | 10A | 94 BPM | ||
| Messe solonnelle en fa dièse mineur, Op. 16: I. Kyrie | Louis Vierne, Jonathan Oldengarm, Les Petits Chanteurs du Mont-Royal, Gilbert Patenaude, Les Chantres Musiciens, Vincent Boucher | E♭ Major | 3 | 5B | 72 BPM | ||
| Gothic Suite Op 25: Pière à Notre-Dame | Léon Boëllmann, William McVicker | A♭ Major | 0 | 4B | 71 BPM | ||
| Kirchenmusik, Op. 23: I. Aus tiefer Not schrei ich zu Dir | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | B Major | 1 | 1B | 65 BPM | ||
| Jesu, meine Freude in E Minor, BuxWV 60: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 167 BPM | ||
| Jesu, meine Freude, BuxWV 60: VII. Weicht, ihr Trauergeister | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 82 BPM | ||
| Requiem in F Minor, C 8: Ia. Introitus | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 180 BPM | ||
| Fanfare & Harm. 'Praise to the Lord, the Almighty' | Paul Fey | D Major | 2 | 10B | 66 BPM | ||
| Toccata | Eugène Gigout, Ben van Oosten | B Minor | 2 | 10A | 60 BPM | ||
| Messe solonnelle en fa dièse mineur, Op. 16: III. Sanctus | Louis Vierne, Vincent Boucher, Les Petits Chanteurs du Mont-Royal, Jonathan Oldengarm, Les Chantres Musiciens, Gilbert Patenaude | A Major | 1 | 11B | 179 BPM | ||
| Atys, LWV 53: Ouverture | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | F Minor | 3 | 4A | 131 BPM | ||
| Marta' s Greeting | Michelle Legauffe | C Major | 2 | 8B | 80 BPM | ||
| Messe Solennelle, Op. 16 - Kyrie | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | D♭ Minor | 2 | 12A | 70 BPM | ||
| Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Organ Concerto in G Minor, FP 93: V. Tres calme. Lent | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 0 | 7B | 169 BPM | ||
| Ave, Maris Stella, EG 150 | Edvard Grieg, The Choir of Trinity College, Melbourne, Michael Leighton Jones | B Major | 1 | 1B | 141 BPM | ||
| Suite No. 4: Les cloches de Hinckley | Louis Vierne, Olivier Latry | E Major | 2 | 12B | 135 BPM |