Ken Mathieson's Classic Jazz Orchestra, Evan Christopher's ' "Black Bottom Stomp" was released on its scheduled release date, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 13 in Clarinet Gumbo by Ken Mathieson's Classic Jazz Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Black Bottom Stomp is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Black Bottom Stomp by Ken Mathieson's Classic Jazz Orchestra, Evan Christopher is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ディキシーランドジャズ2 | 茶屋萬衛門 | C Minor | 4 | 5A | 131 BPM | ||
| The Blue Café | New RiSEN | G Major | 5 | 9B | 110 BPM | ||
| Easy Money | Alan Barnes, Ken Mathieson's Classic Jazz Orchestra | D Minor | 4 | 7A | 180 BPM | ||
| Dixie Eyes | Silvia Manco | D♭ Major | 4 | 3B | 118 BPM | ||
| Come Over Here and Treat Me Right | Louise Balkwill | C Major | 4 | 8B | 115 BPM | ||
| After the Ball | Don Albert, Louis Cottrell, Waldren "Frog" Joseph, Jeanette Kimball, Placide Adams, Paul Barbarin | B♭ Major | 5 | 6B | 178 BPM | ||
| Hot Swing | Luca Velotti | F Minor | 4 | 4A | 202 BPM | ||
| Into the Shadows, With Groove | oAo ~ Penguin Jazz ~ | E♭ Major | 7 | 5B | 94 BPM | ||
| You'll Never Know | Luis Arcaraz, Luis Arcaraz Y Su Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
| Big House Blues | Mick Mulligan & His Jazz Band, George Melly | D Minor | 4 | 7A | 207 BPM | ||
| Sorry | Ken Mathieson's Classic Jazz Orchestra | F Minor | 3 | 4A | 98 BPM | ||
| Face It Here It Is | Al Grey | D♭ Major | 4 | 3B | 136 BPM | ||
| Stelle su Milano | Dolce Vita | D Minor | 4 | 7A | 202 BPM | ||
| I'm Gettin Sentimental Over You | Gerry Mulligan and His Orchestra | A Minor | 4 | 8A | 94 BPM | ||
| Where Sound Floats | Arthur Glasswing | C Major | 4 | 8B | 115 BPM | ||
| What Matters Stays | A Jazz Story | C Major | 4 | 8B | 115 BPM | ||
| Drebato Blues | THE SCHWINGS BAND | C Major | 4 | 8B | 115 BPM | ||
| Amapola | Whatever Jazz Band | A♭ Major | 2 | 4B | 124 BPM | ||
| First Light | Velvet Loops | C Major | 4 | 8B | 115 BPM | ||
| Hotcakes | Burt Mitchell | C Major | 4 | 8B | 115 BPM | ||
| Blues My Naughty Sweetie Gives to Me | Southside Aces | G Major | 4 | 9B | 123 BPM | ||
| Compliments of the Evening | Bronze Oracle | F♯ Major | 2 | 2B | 72 BPM | ||
| Labyrinth | Elian Tumbao | C Minor | 3 | 5A | 134 BPM | ||
| Swing | scoth | C Major | 4 | 8B | 115 BPM | ||
| Tiempo suspendido | Ryzon Sound | C Major | 4 | 8B | 115 BPM |