Michael Ross's ' "We Finally Meet" was released on its scheduled release date, January 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Reloaded". In this album, this song's track order is #12. Based on our statistics, We Finally Meet's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With We Finally Meet by Michael Ross having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Night Glow | AeroJazz Deluxe | C Major | 7 | 8B | 90 BPM | ||
| And After That | Silk Lounge Sessions | B♭ Major | 6 | 6B | 81 BPM | ||
| Xyloid Impression | Aftertone Quartet | B♭ Major | 6 | 6B | 81 BPM | ||
| Plastic Rhythm | Brass Division | C Major | 3 | 8B | 84 BPM | ||
| Harbor Atlas | Shoreline Collective | B♭ Major | 6 | 6B | 81 BPM | ||
| If I Could | Michael Ross | G Minor | 3 | 6A | 93 BPM | ||
| Skah | Andrea D'Amato | F Minor | 8 | 4A | 90 BPM | ||
| For All the Good Times | Michael Ross | F Minor | 7 | 4A | 84 BPM | ||
| Cocoa Earth | Kayla Waters | D Major | 6 | 10B | 125 BPM | ||
| Jazz R&B Tango | Andrew Pryce | B♭ Minor | 4 | 3A | 174 BPM | ||
| Flying Bassline | The Funkonauts | B Minor | 6 | 10A | 105 BPM | ||
| Hollywood Drive | Blue Knights, Dancing Fantasy | A♭ Major | 8 | 4B | 105 BPM | ||
| Balcony Horizon | Palmshade Ensemble | B♭ Major | 6 | 6B | 81 BPM | ||
| The Boss | Michael Ross | F Minor | 5 | 4A | 86 BPM | ||
| Between Two Worlds | Roberto Vazquez | A♭ Major | 7 | 4B | 96 BPM | ||
| Finding Home | Nacho Valenciaga | F Major | 6 | 7B | 93 BPM | ||
| City View | Bossa Noire | B♭ Major | 6 | 6B | 81 BPM | ||
| Steel Avenue | Rhythm Brother | F Major | 8 | 7B | 100 BPM | ||
| 88 Ways | Jonathan Fritzén | G Major | 4 | 9B | 114 BPM | ||
| Jet-Lag Ballad | Monte Jazz Club | A Minor | 8 | 8A | 170 BPM | ||
| The Last Love Letter | Michael Ross | C Major | 4 | 8B | 104 BPM | ||
| Nightfall Coffee | Aurelia Wave | B♭ Major | 6 | 6B | 81 BPM | ||
| Moonlight Streets | Phase of Moon | A Minor | 5 | 8A | 80 BPM | ||
| Harmony within | Carlos Camilo | B♭ Major | 6 | 6B | 81 BPM | ||
| You Are Beautiful | Johnny Britt | A♭ Minor | 3 | 1A | 168 BPM |