Tito Schipa's 'Angela mia' had a release date set for October 29, 2014. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Napoli romantica". In this album, this song's track order is #8. Angela mia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Angela mia by Tito Schipa having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
| El Breve Espacio en Que No Estás | Pablo Milanés, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM | ||
| Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
| Torna a Surriento (Come Back to Sorrento) | Ernesto de Curtis, Tito Schipa | F Major | 2 | 7B | 89 BPM | ||
| Perdonami | Luciano Tajoli | G Major | 6 | 9B | 108 BPM | ||
| Un Sospiro - Remastered | Antonio Campó, Orquesta de Conciertos de Madrid, Victoriano Echevarría | A Minor | 3 | 8A | 141 BPM | ||
| Rigoletto: La donna è mobile | Giuseppe Verdi, Enrico Caruso | D♭ Minor | 1 | 12A | 112 BPM | ||
| Vitti 'na crozza | Otello Profazio | E♭ Major | 1 | 5B | 130 BPM | ||
| Fedora: Amor ti vieta | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | C Major | 2 | 8B | 177 BPM | ||
| Luisa Fernanda, Acto i: Caballero del alto plumero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A Major | 2 | 11B | 85 BPM | ||
| Verdi: La battaglia di Legnano, Act 3: "Giuriam d'Italia" (Coro) | Giuseppe Verdi, Carlo Rizzi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 2 | 10B | 114 BPM | ||
| La Rosa del Azafrán: Canción del Sembrador | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
| Mírate en el espejo | Ofelia Nieto, Carlos Galeffi | E Major | 4 | 12B | 139 BPM | ||
| Suspiranno 'Na Canzone | Giacomo Rondinella | A Major | 1 | 11B | 83 BPM | ||
| Comme facette mammetta? | Ronald Naldi | G Major | 3 | 9B | 97 BPM | ||
| A la Orilla de un Palmar | Tito Schipa | B♭ Minor | 2 | 3A | 64 BPM | ||
| La Cumparsita (Si supieras): La cumparista [Si supieras] | Gerardo Matos Rodríguez, Tito Schipa | G Minor | 1 | 6A | 115 BPM | ||
| Los gavilanes, Acto I: No hay por qué gemir | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | F Major | 2 | 7B | 107 BPM | ||
| Un'ora sola ti vorrei | Trio Lescano, Nuccia Natali | C Major | 1 | 8B | 114 BPM | ||
| Nenné | Dolce Vita | E Minor | 3 | 9A | 80 BPM | ||
| Conoció a España Sin Verla / Fui Malo Pero Soy Bueno (feat. Rondalla) | José Oto, Rondalla | C Major | 2 | 8B | 88 BPM | ||
| Dicitencello vuie (Orch. L. Logi) | Rodolfo Falvo, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | B♭ Minor | 1 | 3A | 139 BPM | ||
| Werther: Ah! Non mi ridestar (Recorded 1934) | Jules Massenet, Tito Schipa, Giuseppe Antonicelli | F Minor | 1 | 4A | 87 BPM | ||
| Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM |