"Intima" by Tata Nacho, Rolando Villazón, Efrain Oscher, Juan Manuel González, Juan Lucas Aisemberg, Pablo Bercellini, Gabriel León, Rhodri Clarke had its release date on January 1, 2010. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Intima's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ¡México!, so we believe that "Intima" is a single. Intima is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Intima by Tata Nacho, Rolando Villazón, Efrain Oscher, Juan Manuel González, Juan Lucas Aisemberg, Pablo Bercellini, Gabriel León, Rhodri Clarke is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
| Sérénade à Watteau | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Ayúdame, Dios mío | Arturo Castro, Plácido Domingo, Bebu Silvetti, Miami Symphonic Strings | D Minor | 6 | 7A | 91 BPM | ||
| Dicitencello vuie (Orch. L. Logi) | Rodolfo Falvo, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | B♭ Minor | 1 | 3A | 139 BPM | ||
| Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | ||
| L'Euridice, Scene 6: Gioite al canto mio (Arr. Pluhar) | Jacopo Peri, Rolando Villazón, L'Arpeggiata, Christina Pluhar | G Major | 4 | 9B | 141 BPM | ||
| Rigoletto, Act I: Gualtier Maldè... Nome di lui sì amato | Giuseppe Verdi, Nadine Sierra, Tomas Pavilionis, Tadas Girininkas, Andrius Apšega, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 1 | 3B | 164 BPM | ||
| Così fan tutte, K. 588, Act I Scene 12: Un'aura amorosa | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
| Perfida | José Carreras, José Felicicano | C Major | 4 | 8B | 112 BPM | ||
| Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
| Tonadillas: Amor y Odio | Enrique Granados, Montserrat Caballé, Rafael Ferrer | G Major | 1 | 9B | 67 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Rigoletto, Act III: Bella figlia dell'amore | Giuseppe Verdi, Oksana Volkova, Francesco Demuro, Nadine Sierra, Dmitri Hvorostovsky, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 2 | 3B | 68 BPM | ||
| Cuatro canciones antiguas sobre textos sefardíes: IV. Juego de niños | Borja Mariño, Mar Morán, Aurelio Viribay | C Major | 3 | 8B | 79 BPM | ||
| Reginella | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | D Major | 2 | 10B | 139 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Liszt: 3 Sonetti di Petrarca, S. 270: III. "I' vidi in terra angelici costumi" | Franz Liszt, Diana Damrau | A♭ Minor | 1 | 1A | 69 BPM | ||
| Por Eso Te Quiero | Ernesto Lecuona, Plácido Domingo, Lee Holdridge, Royal Philharmonic Orchestra | D Major | 4 | 10B | 83 BPM | ||
| Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM | ||
| Mother Dear | Sumi Jo | G Major | 3 | 9B | 91 BPM | ||
| El Barberillo de Lavapies: Seguidillas Manchegas | Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Manuel Lanza | D Major | 4 | 10B | 148 BPM | ||
| Guerrero: Los Gavilanes: Flor roja | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónico De Madrid | C Major | 1 | 8B | 96 BPM | ||
| La Canción del Olvido: "Canción de Leonello" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Manuel Ausensi | D Major | 4 | 10B | 99 BPM | ||
| La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | D♭ Major | 1 | 3B | 137 BPM |