On January 1, 1950, the song "Dhadak Dhadak Dil" was released by Suraiya, Mohammed Rafi. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 9 in Dastaan by Naushad, Shakeel Badayuni. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Dhadak Dhadak Dil is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Dhadak Dhadak Dil by Suraiya, Mohammed Rafi is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jane Kya Ho Jaye | Lata Mangeshkar, Mohammed Rafi | A Major | 4 | 11B | 79 BPM | ||
| Khilona Jan Kar Tum To - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | F Minor | 7 | 4A | 78 BPM | ||
| Commentary And Gunche Lage Hain Kahne | Shailendra Singh, Ameen Sayani | G Major | 6 | 9B | 80 BPM | ||
| Rimjhim Rimjhim Tan Pe Mere Pani | Anuradha Paudwal | D Minor | 6 | 7A | 168 BPM | ||
| Ek Taraf Hai Apni Yari | Ashok Khare | E Major | 3 | 12B | 54 BPM | ||
| Tu Mehlon Ka Chhota Munna | Sulochana Kadam, Mahesh Kumar | E♭ Minor | 3 | 2A | 184 BPM | ||
| O Meri Behna | Bappi Lahiri, S. P. Balasubrahmanyam | D♭ Minor | 3 | 12A | 154 BPM | ||
| Sagar Paar Se Sita Ka Samachar Laane Wale Hanuman | Ravindra Jain, Anuradha Paudwal, Shiv Kumar | A♭ Minor | 7 | 1A | 108 BPM | ||
| Ek Pal Hansna Jo Chaha | Anwar | A♭ Minor | 5 | 1A | 131 BPM | ||
| Commentary Tabussum And Yari Hai Imaan Mera - Zanjeer | Tabassum, Manna Dey, Kalyanji-Anandji | A♭ Major | 7 | 4B | 105 BPM | ||
| Kahe Jiya Dole | Uma Devi | C Major | 4 | 8B | 162 BPM | ||
| Yaar Ko Milne Jaana Hai | Vinod Rathod | F Major | 8 | 7B | 130 BPM | ||
| Taqdeer Bani Bankar Bigdi (From "Mela") | Shamshad Begum | B Major | 3 | 1B | 85 BPM | ||
| Mere Dost Tujhe - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | D♭ Major | 8 | 3B | 91 BPM | ||
| Lahoo Ka Rang Ek Hai | Shabbir Kumar | G Minor | 7 | 6A | 81 BPM | ||
| Dhalak Rahi Ho Tan Ke Ghat Se | Manna Dey | D♭ Minor | 1 | 12A | 68 BPM | ||
| Bol Meri Dafli Bol Bol | Nitin Mukesh | B♭ Minor | 8 | 3A | 94 BPM | ||
| Chal Chal Kahin Akele Mein | Sulakshana Pandit, Hemlata | D♭ Major | 9 | 3B | 134 BPM | ||
| Beech Bhanwar Mein | Suraiya | C Major | 5 | 8B | 137 BPM | ||
| Dil Leke Dil Diya Hai | Lata Mangeshkar, Mohammed Rafi | G Minor | 3 | 6A | 76 BPM | ||
| Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi | F♯ Major | 4 | 2B | 100 BPM | ||
| Yeh Rakhi Pyar Mohabbat Ki | Bhupesh Hussanlal, Anwar Hussain, Chandrani Mukherjee | D♭ Minor | 6 | 12A | 88 BPM | ||
| Shri Durga Sapshati - Chhata Adhyaye | Narendra Chanchal | E♭ Major | 7 | 5B | 80 BPM | ||
| Natija Achha Niklega - Dulha Bikta Hai / Soundtrack Version | Anwar, Chandrani Mukherjee, Preeti Sagar | A Minor | 4 | 8A | 113 BPM | ||
| Vachana Vida Ke Paath | Hemlata | A Major | 5 | 11B | 150 BPM |