"Change to Come" by Sarah Elizabeth Charles had its release date on October 6, 2017. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 6 out of 12 in Free of Form by Sarah Elizabeth Charles. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Change to Come is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Change to Come by Sarah Elizabeth Charles is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Central Park West | Lakecia Benjamin, Jazzmeia Horn | B Major | 5 | 1B | 178 BPM | ||
| Fly Away | Ashley Henry, aja monet | C Major | 6 | 8B | 123 BPM | ||
| The Essence | Marquis Hill | F Minor | 2 | 4A | 89 BPM | ||
| The Struggle | Sarah Elizabeth Charles | B♭ Major | 1 | 6B | 80 BPM | ||
| Marie Laveau | Kenny Barron, Tyreek McDole | C Major | 5 | 8B | 102 BPM | ||
| Wide Cumbia | Latino Project, Alvaro Cardenas Jr. | D♭ Minor | 3 | 12A | 125 BPM | ||
| Little sunflower | Hugo Lippi, Stéphane Belmondo | D♭ Minor | 3 | 12A | 125 BPM | ||
| Along the Malecon | Adam O'Farrill | D♭ Minor | 3 | 12A | 125 BPM | ||
| Sharky Yuppies | Sylvain Rifflet | D♭ Minor | 5 | 12A | 174 BPM | ||
| Wind Flower | Terri Lyne Carrington, Julian Lage, Elena Pinderhughes | G Major | 3 | 9B | 142 BPM | ||
| Missing Pieces | VMV Trio, Vincenzo Di Gioia, Marco Cutillo, Vito Tenzone | D♭ Minor | 3 | 12A | 125 BPM | ||
| Loon and Thrush | Club d'Elf | D♭ Minor | 3 | 12A | 125 BPM | ||
| Endings & Beginnings Pt, 1 | The Vampires, Lionel Loueke, Jeremy Rose, Nick Garbett, Alex Masso, Jonathan Zwartz, Danny Fischer | A Minor | 2 | 8A | 115 BPM | ||
| Taller | Sarah Elizabeth Charles | F Minor | 2 | 4A | 76 BPM | ||
| Agamemnon | Nucleus Trio | F Minor | 5 | 4A | 104 BPM | ||
| Reconnection | Tuva Halse | D♭ Minor | 3 | 12A | 125 BPM | ||
| Lune | FŒHN | D♭ Minor | 3 | 12A | 125 BPM | ||
| Eagle Hunt | Fergus McCreadie | B Major | 5 | 1B | 174 BPM | ||
| A Letter To The South | Jacob Bloomfield-Misrach, Sarah Elizabeth Charles | A♭ Major | 2 | 4B | 138 BPM | ||
| Sticks and Stones | Terrace Martin | D♭ Minor | 3 | 12A | 125 BPM | ||
| Transfiguration | James Francies | C Major | 5 | 8B | 74 BPM | ||
| Brood | Neil Cowley Trio | G Major | 1 | 9B | 123 BPM | ||
| Infância | Beto Paciello, John Patitucci, Antonio Sánchez, Rogério Boccato, Anne Boccato | C Major | 2 | 8B | 126 BPM | ||
| Bonnie Be Good | Brian Blade & The Fellowship Band | D Major | 1 | 10B | 141 BPM | ||
| MOR, MOR | Viktoria Søndergaard | D♭ Minor | 3 | 12A | 125 BPM |