"Blood - From "Macbeth" Soundtrack" by Jed Kurzel had its release date on October 1, 2015. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jed Kurzel's "Macbeth (Original Motion Picture Soundtrack)" album is number 19 out of 19. On top of that, France appears to be the country where this track was created. Based on our statistics, Blood - From "Macbeth" Soundtrack's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blood - From "Macbeth" Soundtrack by Jed Kurzel to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Night Has Ears | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| The Burial | Brooke Blair, Will Blair | A Minor | 3 | 8A | 82 BPM | ||
| The Encounter | Jed Kurzel | F Major | 0 | 7B | 171 BPM | ||
| Imagining Buffalo | Ryuichi Sakamoto, alva noto, Bryce Dessner | A Major | 1 | 11B | 68 BPM | ||
| Stalker | Lovett | A♭ Major | 3 | 4B | 121 BPM | ||
| Don't Open It | Dan Romer | D Minor | 2 | 7A | 139 BPM | ||
| The Dark Room | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 75 BPM | ||
| Nastka | Natalia Tsupryk | C Major | 3 | 8B | 86 BPM | ||
| The Black Hand | Antony Genn, Martin Slattery | G Minor | 3 | 6A | 129 BPM | ||
| Golden Ratio | Jessica Curry | D Minor | 1 | 7A | 137 BPM | ||
| Dr. Fletcher in Philadelphia | West Dylan Thordson | E Minor | 1 | 9A | 75 BPM | ||
| Payload Deployment | Jed Kurzel | D♭ Major | 4 | 3B | 67 BPM | ||
| Prawnkus | Clinton Shorter | A♭ Major | 1 | 4B | 130 BPM | ||
| Overheating | Atli Örvarsson | F Minor | 5 | 4A | 160 BPM | ||
| Scrapie | Atli Örvarsson | A Minor | 0 | 8A | 169 BPM | ||
| Ghosts in the Brazos | Slow Meadow | A Minor | 2 | 8A | 144 BPM | ||
| Touch Nothing Else | Patrick Doyle | G Major | 2 | 9B | 95 BPM | ||
| Hold Very Still | Daniel Hart | C Major | 2 | 8B | 120 BPM | ||
| Mother's Theme | Iskra String Quartet, Iskra Strings, Paul Frith | A Minor | 0 | 8A | 66 BPM | ||
| There Can Be Peace | David García Díaz, RashDash | F Minor | 3 | 4A | 74 BPM | ||
| Zed | Nick Cave & Warren Ellis | B Major | 2 | 1B | 119 BPM | ||
| Portents of Doom | Lustmord | G Minor | 2 | 6A | 79 BPM | ||
| About the Birth of Stars | Aaron Martin, Dag Rosenqvist, From The Mouth of The Sun | E Minor | 2 | 9A | 120 BPM | ||
| The Pull of Death | Atticus Ross, Leopold Ross, Nick Chuba | D♭ Major | 4 | 3B | 120 BPM | ||
| Frailty in Love | Steven Price | A Minor | 0 | 8A | 138 BPM |